Johung, Jennifer (Author)
Shows how the intersection of biotech, art, and architecture are transforming the world we live in As living matter becomes more and more the domain of art and architecture, the life sciences are enabling a major cultural and aesthetic transformation. Vital Forms explores how the intersection of biology, art, and architecture has transformed these disciplines, offering heretofore unimagined possibilities.Using numerous case studies, Jennifer Johung explores how art and architecture are reimagining life on cellular and subcellular levels. In the process, she maps the constantly evolving dependencies that exist between objects, bodies, and environments. From Oron Catts and Ionat Zurr’s Tissue Culture and Art Project, which developed “semi-living worry dolls,” to Patricia Piccinini’s imagined Still Life with Stem Cells, each chapter pairs a branch of contemporary biological inquiry with the artists who are revolutionizing it.Examining cutting-edge developments in biotechnological research—including tissue-engineering, stem cell science, regenerative medicine, and more—Vital Forms brings biological art and architecture into critical dialogue. Distinguished by its broad range and Johung’s synthesizing talents, Vital Forms makes powerful observations about how the unfolding dependencies between all kinds of matter are becoming vital to life in our age of biotechnological manipulations.
...MoreReview Richard Doyle (2021) Review of "Vital Forms: Biological Art, Architecture, and the Dependencies of Life". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 642-643).
Article
Tomasula, Steve;
(2002)
Genetic Art and the Aesthetics of Biology
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Book
Cuomo, Serafina;
(2007)
Technology and Culture in Greek and Roman Antiquity
(/isis/citation/CBB000830134/)
Book
Kemp, Martin;
(2006)
Seen/Unseen: Art, Science, and Intuition from Leonardo to the Hubble Space Telescope
(/isis/citation/CBB001021226/)
Article
Linda Chiu-han Lai;
(June 2019)
Algorithmic Art: Shuffling Space and Time: Art-Science Dialogues and a Techno-Saga
(/isis/citation/CBB832404239/)
Article
Squier, Susan;
Marks, J. Ryan;
(2014)
Introduction: Graphic Medicine
(/isis/citation/CBB001550664/)
Article
Dupré, Sven;
(2005)
Introduction. The Hockney-Falco Thesis: Constraints and Opportunities
(/isis/citation/CBB000502104/)
Chapter
Bredekamp, Horst;
(2007)
Leibniz's Theater of Nature and Art and the Idea of a Universal Picture Atlas
(/isis/citation/CBB000774498/)
Article
Tetsuei, Tsuda;
(2006)
Images of Stars and Their Significance in Japanese Esoteric Art of the Heian Period
(/isis/citation/CBB000820140/)
Chapter
Bredekamp, Horst;
(2010)
Wilhelm Pinders “Ungleichzeitigkeiten des Gleichzeitigen”
(/isis/citation/CBB001032055/)
Book
Brain, Robert Michael;
(2015)
The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe
(/isis/citation/CBB001551935/)
Article
Robert Fleck;
(2021)
The Scientific Revolution in Art
(/isis/citation/CBB632582915/)
Article
Lüthy, Christoph;
(2005)
Hockney's Secret Knowledge, Vanvitelli's Camera Obscura
(/isis/citation/CBB000502153/)
Chapter
Wolff, Francis;
(2007)
The Three Pleasures of Mimēsis According to Aristotle's Poetics
(/isis/citation/CBB000774492/)
Article
Challis, Debbie;
(2012)
Fashioning Archaeology into Art: Greek Sculpture, Dress Reform and Health in the 1880s
(/isis/citation/CBB001213317/)
Article
Dupré, Sven;
(2005)
Optics, Pictures and Evidence: Leonardo's Drawings of Mirrors and Machinery
(/isis/citation/CBB000502113/)
Thesis
Rogers, Hannah Star;
(2012)
Practices of Art and Science
(/isis/citation/CBB001560821/)
Book
Laurenza, Domenico;
(2012)
Art and Anatomy in Renaissance Italy: Images from a Scientific Revolution
(/isis/citation/CBB001210286/)
Article
Nielsen, Kristian H.;
(2011)
Detachment, Death, and Destruction in Gerhard Richter's Strontium (2004)
(/isis/citation/CBB001210205/)
Book
Meyers, Amy R. W.;
Ford, Lisa L.;
(2011)
Knowing Nature: Art and Science in Philadelphia, 1740--1840
(/isis/citation/CBB001210287/)
Article
Low, Morris;
Chung, Hyung-Min;
(2011)
Introduction
(/isis/citation/CBB001210415/)
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