Beltrán, José (Author)
Si la historia de la ciencia ha pasado las últimas tres décadas desmantelando los mitos de la revolución científica y de la revolución de la imprenta, así como la feliz conjunción de ambas en la Edad Moderna, poca atención ha prestado a una de las sombras arrojadas por tales narrativas modernizadoras: la incontestable pervivencia de una sofisticada cultura manuscrita entre los practicantes del saber en tiempos de la llamada “cultura impresa”. Prestaremos aquí atención a algunas prácticas amanuenses en el trabajo de la historia natural, utilizando para ello los ricos fondos del Muséum national d’histoire naturelle en París. Nos centraremos en artefactos manuscritos (diarios, excerptas, catálogos de fichas) e híbridos (herbarios), atendiendo a su función en cuatro gestos clave de la labor del naturalista: observar, leer, clasificar, archivar. Lejos de constituir una práctica secundaria, la creación y manipulación de registros manuscritos se situaba en el corazón de la vasta empresa del conocimiento de la naturaleza entre 1660 y 1830. Palabras clave: historia natural; cultura manuscrita; tecnologías de papel; gestión de la información; Francia y su imperio colonial; siglos XVII, XVIII y XIX
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