Sarah Neville (Author)
Between 1525 and 1640, a remarkable phenomenon occurred in the world of print: England saw the production of more than two dozen editions identified by their imprints or by contemporaries as 'herbals'. Sarah Neville explains how this genre grew from a series of tiny anonymous octavos to authoritative folio tomes with thousands of woodcuts, and how these curious works quickly became valuable commodities within a competitive print marketplace. Designed to serve readers across the social spectrum, these rich material artifacts represented both a profitable investment for publishers and an opportunity for authors to establish their credibility as botanists. Highlighting the shifting contingencies and regulations surrounding herbals and English printing during the sixteenth and early seventeenth century, the book argues that the construction of scientific authority in Renaissance England was inextricably tied up with the circumstances governing print. This
...MoreReview Elizabeth Yale (2023) Review of "Early Modern Herbals and the Book Trade: English Stationers and the Commodification of Botany". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 195-196).
Multimedia Object Sarah Neville; John Yargo (Aug 29, 2022) Sarah Neville, Early Modern Herbals and the Book Trade (2022).
Multimedia Object
(Aug 29, 2022)
Sarah Neville, Early Modern Herbals and the Book Trade (2022)
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Thesis
Rosenberg, Jessica;
(2014)
Bound Flowers, Loose Leaves Horticultural Form and Textual Practice in Early Modern English Print
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Article
Marco van Egmond;
(2016)
Mapping Early Utrecht Printers and Publishers: Experiences with Building a Geographical Interface
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Book
Fournier-Antonini, Guenièvre;
(2012)
Barcelone, Gênes et Marseille: Cartographies et images, XVIe-XIXe siècle
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Chapter
Peter Mason;
(2006)
Il contributo del Libri Picturati A. 32-38 alla comprensione dell’iconografia del Brasile olandese nei dipinti di Albert Eckhout e di Frans Post
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Article
Paulina Oszajca;
(2016)
Opere di Mattioli e degli altri naturalisti italiani nelle raccolte delle biblioteche cracoviane
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Article
Patrizia Cremonini;
(2016)
Carte verdi nell'Archivio di Stato di Modena: l’Erbario Estense, foglie tra i fogli, un rebus, un progetto
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Book
Friedrich, Christoph;
Bernschneider-Reif, Sabine;
(2003)
Rosarium litterarum: Beiträge zur Pharmazie- und Wissenschaftsgeschichte: Festschrift für Peter Dilg zum 65. Geburtstag
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Chapter
Randall, Robert;
(2008)
Bath Naturalists: Apothecary to Zoologist
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Article
Chabrán, Rafael;
(2009)
Dr. Francisco Hernández and Denmark: The Presence of the Mexican Treasury in the Work of Ole Worm: An Introduction
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Article
Carmody, John;
(2013)
Medical History: Feeling No Pain
(/isis/citation/CBB001320435/)
Article
Manuel Mertens;
(2017)
Willem Silvius: “Typographical Parent” of John Dee’s Monas Hieroglyphica
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Article
Stephen Clucas;
(2017)
The Royal Typographer and the Alchemist: John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica
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Book
Elders, Willem;
(2013)
Josquin des Prez and His Musical Legacy: An Introductory Guide
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Book
Rinaldo Fernando Canalis;
Massimo Ciavolella;
(2018)
Andreas Vesalius and the 'Fabrica' in the Age of Printing: Art, Anatomy, and Printing in the Italian Renaissance
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Book
Birte Rubach;
(2016)
Ant. Lafreri formis Romae. Der Verleger Antonio Lafreri und seine Druckgraphikproduktion
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Chapter
Dondi, Cristina;
(2013)
The European Printing Revolution
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Article
Jessie Wei-Hsuan Chen;
(2020)
A Woodblock’s Career: Transferring Visual Botanical Knowledge in the Early Modern Low Countries
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Article
Jenner, Mark S. R.;
(2012)
Plague on a Page: Lord Have Mercy Upon Us in Early Modern London
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Article
Funk, Holger;
(2015)
Jan Černý’s Knieha lekarska (1517): Closing a Gap in the History of Printed Illustrated Herbals
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