Vidal, Fernando (Author)
Performing Brains on Screen deals with film enactments and representations of the belief that human beings are essentially their brains, a belief that embodies one of the most influential modern ways of understanding the human. Films have performed brains in two chief ways: by turning physical brains into protagonists, as in the "brain movies" of the 1950s, which show terrestrial or extra-terrestrial disembodied brains carrying out their evil intentions; or by giving brains that remain unseen inside someone’s head an explicitly major role, as in brain transplantation films or their successors since the 1980s, in which brain contents are transferred and manipulated by means of information technology. Through an analysis of filmic genres and particular movies, Performing Brains on Screen documents this neglected filmic universe, and demonstrates how the cinema has functioned as a cultural space where a core notion of the contemporary world has been rehearsed and problematized.
...MoreReview Michel-Antoine Xhignesse (2023) Review of "Performing Brains on Screen". Metascience: An International Review Journal for the History, Philosophy and Social Studies of Science (pp. 87-90).
Article
Anja Sattelmacher;
(2021)
Shuffled Zeppelin Clips: The Flight and Crash of LZ 129 Hindenburg in the Archives
Article
Fernando Vidal;
(2018)
Introduction: From “The Popularization of Science through Film” to “The Public Understanding of Science”
Article
Jesse Olszynko-Gryn;
(2016)
Film Lessons: Early Cinema for Historians of Science*
Article
Patrick Ellis;
(2017)
A Cinema for the Unborn: Moving Pictures, Mental pictures and Electra Sparks's New Thought Film Theory
Book
Richard Francaviglia;
(2023)
Cinematic Journeys in Latin America: Geography Through the Lens of Exploration and Discovery Films
Article
Laurence Talairach;
(2017)
Liminal Spaces: Literature, Film and the Medical Museum
Article
Bonnie Evans;
Janet Harbord;
(2024)
Film, observation and the mind
Article
Jeremy Blatter;
(2024)
Reanimating experimental psychology: Media archaeology, Hugo Münsterberg, and the ‘Testing the Mind’ film series
Article
Bonnie Evans;
(2024)
The origins of film, psychology and the neurosciences
Article
Jesse Olszynko-Gryn;
Patrick Ellis;
(2017)
‘A Machine for Recreating Life’: An Introduction to Reproduction on Film
Article
Mario Schulze;
(2021)
Mobilizing Moving Images: Reusing a German Flow Film of the 1920s for U.S. Science Education in the Cold War
Article
Anja Sattelmacher;
Mario Schulze;
Sarine Waltenspül;
(2021)
Introduction: Reusing Research Film and the Institute for Scientific Film
Thesis
Benjamín Alberto Schultz-Figueroa;
(2018)
The Celluloid Specimen: Moving Image Research into Animal Life
Thesis
Hannah McKim Lloy Goodwin;
(2017)
Archives of Light: Cinematic and Cosmological Time
Article
Harry Yi-Jui Wu;
(2023)
Impersonal Presence: Kazuo Hara’s Sennan Asbestos Disaster and Minamata Mandala
Book
Nick Bostrom;
(2014)
Superintelligence: Paths, Dangers, Strategies
Book
Jessica L. Wright;
(2022)
The Care of the Brain in Early Christianity
Article
Katie Joice;
(2021)
Mothering in the frame: Cinematic microanalysis and the pathogenic mother, 1945–67
Article
Des O’Rawe;
(2024)
Contrary to reason: Documentary film-making and alternative psychotherapies
Book
Terence McSweeney;
Stuart Joy;
(2022)
Contemporary American Science Fiction Film
Be the first to comment!