Article ID: CBB510029186

The Early Royal Society and Visual Culture (2019)

unapi

Recent studies have fruitfully examined the intersection between early modern science and visual culture by elucidating the functions of images in shaping and disseminating scientific knowledge. Given its rich archival sources, it is possible to extend this line of research in the case of the Royal Society to an examination of attitudes towards images as artifacts—manufactured objects worth commissioning, collecting, and studying. Drawing on existing scholarship and material from the Royal Society Archives, I discuss Fellows’ interests in prints, drawings, varnishes, colorants, images made out of unusual materials, and methods of identifying the painter from a painting. Knowledge of production processes of images was important to members of the Royal Society, not only as connoisseurs and collectors, but also as those interested in a Baconian mastery of material processes, including a “history of trades.” Their antiquarian interests led to discussion of painters’ styles, and they gradually developed a visual memorial to an institution through portraits and other visual records.

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Authors & Contributors
Kusukawa, Sachiko
Lederer, Roger J.
Majeski, Anna Theresa
Chen, Jessie Wei-Hsuan
Jonge, Hans Laurens de
Nagel, Alexander
Journals
Perspectives on Science
Nuncius: Annali di Storia della Scienza
Journal of Astronomical History and Heritage
Publishers
University of California Press
New York University
Concepts
Visual representation; visual communication
Painters and painting
Science and culture
Science and art
Portraits
Scientific illustration
People
Poku, Kwame
Boachi, Aquasi
Hoeven, Jan van der
Galilei, Galileo
Time Periods
Early modern
17th century
16th century
Renaissance
19th century
18th century
Places
Europe
Italy
Venice (Italy)
Antwerp
Padua (Italy)
Mediterranean region
Institutions
Royal Society of London
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