Article ID: CBB505769174

Stanislavskij and Actor's Psychophisiology (2019)


The pedagogical path for actors proposed at the beginning of the twentieth century by Stanislavsky, is deepened by linking to concrete observable and manipulable psycho-physiological processes. In this operation, terms such as human spirit, imagination, inner action and exterior action, experiencing a role will be analyzed so as to become a constituent part of a psycho-bodily thought. We will look at the physiological context in which gestures, actions and feelings are born, whose generative mechanisms will be focused on; the meaning of the definition coherence of sensations will be resumed in a clearer context and we will try to provide a definition of I - that can be operationally useful for actors.

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Authors & Contributors
Di Giacomo, Giuseppe
Arnaudo, Elisa
Rostagno, Antonio
Runco, Maria Innocenza
Marchetti, Marta
Philip Steadman
Medicina nei Secoli - Arte e Scienza
Mefisto: Rivista di medicina, filosofia, storia
Physis: Rivista Internazionale di Storia della Scienza
Intellectual History Review
Geographia antiqua
UCL Press
Stanford University Press
Springer International
Random House
MIT Press
Science and art
Science and literature
Freud, Sigmund
Bouwmeester, Johannes
De Sanctis, Francesco
Davies, Arthur Bowen
La Farge, John
Spinoza, Baruch
Time Periods
20th century, early
19th century
17th century
20th century
16th century
Early modern
United States
Amsterdam (Netherlands)
Vienna (Austria)
Kingdom of Italy (1861-1946)

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