Article ID: CBB505769174

Stanislavskij and Actor's Psychophisiology (2019)

unapi

The pedagogical path for actors proposed at the beginning of the twentieth century by Stanislavsky, is deepened by linking to concrete observable and manipulable psycho-physiological processes. In this operation, terms such as human spirit, imagination, inner action and exterior action, experiencing a role will be analyzed so as to become a constituent part of a psycho-bodily thought. We will look at the physiological context in which gestures, actions and feelings are born, whose generative mechanisms will be focused on; the meaning of the definition coherence of sensations will be resumed in a clearer context and we will try to provide a definition of I - that can be operationally useful for actors.

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Authors & Contributors
Di Giacomo, Giuseppe
Arnaudo, Elisa
Rostagno, Antonio
Runco, Maria Innocenza
Marchetti, Marta
Philip Steadman
Journals
Medicina nei Secoli - Arte e Scienza
Mefisto: Rivista di medicina, filosofia, storia
Physis: Rivista Internazionale di Storia della Scienza
Intellectual History Review
Geographia antiqua
Publishers
UCL Press
Stanford University Press
Springer International
Random House
MIT Press
Continuum
Concepts
Science and art
Theaters
Psychology
Psychiatry
Science and literature
Psychophysiology
People
Freud, Sigmund
Bouwmeester, Johannes
De Sanctis, Francesco
Davies, Arthur Bowen
La Farge, John
Spinoza, Baruch
Time Periods
20th century, early
19th century
17th century
20th century
16th century
Early modern
Places
Europe
United States
Amsterdam (Netherlands)
Netherlands
Vienna (Austria)
Institutions
Kingdom of Italy (1861-1946)
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