Article ID: CBB449669954

Chernobyl the TV Series: On Suspending the Truth or What's the Benefit of Lies? (October 2020)

unapi

HBO's 2019 miniseries Chernobyl has catapulted the world's worst nuclear disaster back into public awareness with stunning cinematography and captivating dramaturgy. For historians of technology, however, its portrayal of Soviet reactor technology, as well as its baffling omission of the disaster mitigation's most successful feat—the construction of a gigantic concrete entombment—present challenges beyond simple claims to authenticity. Are historians doomed to "abandon even the hope of truth and content ourselves instead with stories?" This essay suggests that even inaccurate storytelling can generate genuine passion, and historians can utilize this passion to nurture curiosity and help our students to seek better answers.

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Article Author missing; (October 2020) Take 1: Historians of Technology Watching Chernobyl. Technology and Culture (pp. 1149-1153). unapi

Citation URI
https://data.isiscb.org/isis/citation/CBB449669954/

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Authors & Contributors
Hsien-Chun Wang
Catherine Gudis
Hilary Brown
Flade, Falk
Kathleen Franz
Baumhammer, Megan
Journals
Technology and Culture
Journal of American History
Technikgeschichte: Beiträge zur Geschichte der Technik und Industrie
Science, Technology and Human Values
The Journal of Transport History
Studium: Tijdschrift voor Wetenschaps- en Universiteitgeschiedenis
Publishers
University of Minnesota Press
Concepts
Public history
Technoscience; science and technology studies
Coronavirus disease 2019 (COVID-19)
Musealization
Television
Medicine and race
People
Qidwai, Sarah
Time Periods
21st century
20th century, late
20th century
Places
United States
Japan
Belarus
Russia
Italy
Belgium
Institutions
Ukranian National Chernobyl Museum
Virtual HistSTM Community
Ghent University
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