Article ID: CBB423317851

Harmonikale Kosmologie: Johannes Kepler und Athanasius Kircher; Harmonical cosmology: Johannes Kepler and Athanasius Kircher. (2011)

unapi

The connection between musical theory and astronomy is an aspect of Pythagorean cosmology, which still played a role in the 17th century, and was advanced at that time in very different ways: while Johannes Kepler conceives a proper geometrical system of harmonics and tries to connect it with accurate astronomical data, Athanasius Kircher, harshly criticising Kepler's ideas, sets a qualitative system against it, which is based on analogies. The reason for this discrepancy is not only found in the basically different systems of harmonics of both researchers, but also in the different positions that were taken by both within the controversy about the heliocentric system of the world.

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Authors & Contributors
Knobloch, Eberhard
Bellissima, Fabio
Alfonso-Goldfarb, Ana Maria
Bauer, Katrin
Berchum, Marnix van
Berns, Jörg Jochen
Journals
Nuncius: Annali di Storia della Scienza
Micrologus: Nature, Sciences and Medieval Societies
Bollettino di Storia delle Scienze Matematiche
Circumscribere: International Journal for the History of Science
Leonardo
Physis: Rivista Internazionale di Storia della Scienza
Publishers
Yale University
Princeton University
Olschki
Springer
Concepts
Harmony (music theory)
Music theory
Music
Astronomy
Mathematics
Geometry
People
Kepler, Johannes
Kircher, Athanasius
Fludd, Robert
Galilei, Vincenzo
Mersenne, Marin
Aristotle
Time Periods
17th century
16th century
Ancient
Renaissance
15th century
18th century
Places
Europe
Greece
China
Germany
Institutions
Jesuits (Society of Jesus)
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