Book James Q. Davies; Ellen Lockhart (2017) Sound Knowledge: Music and Science in London, 1789-1851.
Similar Citations
Article
Hui, A. E.;
(2011)
Instruments of Music, Instruments of Science: Hermann von Helmholtz's Musical Practices, His Classicism, and His Beethoven Sonata
(/isis/citation/CBB001033821/)
Article
Hui, Alexandra;
(2013)
Changeable Ears: Ernst Mach's and Max Planck's Studies of Accommodation in Hearing
(/isis/citation/CBB001320386/)
Thesis
Steege, Benjamin Adam;
(2007)
Material Ears: Hermann von Helmholtz, Attention, and Modern Aurality
(/isis/citation/CBB001560571/)
Article
Kursell, Julia;
(2008)
Hermann von Helmholtz und Carl Stumpf über Konsonanz und Dissonanz
(/isis/citation/CBB000930026/)
Book
Hui, Alexandra;
(2013)
The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840--1910
(/isis/citation/CBB001214629/)
Book
Patrizio Barbieri;
(2023)
Tuning and Temperament: Practice vs Science. 1450-2020
(/isis/citation/CBB826943267/)
Article
Kursell, Julia;
(2013)
Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie
(/isis/citation/CBB001320389/)
Thesis
Kelleher, Kevin Daniel;
(2013)
The Contributions of Thomas Alva Edison to Music Education
(/isis/citation/CBB001567450/)
Book
Jackson, Myles W.;
(2006)
Harmonious Triads: Physicists, Musicians, and Instrument Makers in Ninteenth-Century Germany
(/isis/citation/CBB000772270/)
Book
Pantalony, David;
(2009)
Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris
(/isis/citation/CBB001023263/)
Article
Petersen, Sonja;
(2013)
Craftsmen-Turned-Scientists? The Circulation of Explicit and Working Knowledge in Musical-Instrument Making, 1880--1960
(/isis/citation/CBB001320390/)
Article
Klotz, Sebastian;
(2008)
Tonpsychologie und Musikforschung als Katalysatoren wissenschaftlich-experimenteller Praxis und der Methodenlehre im Kreis von Carl Stumpf
(/isis/citation/CBB000930029/)
Article
Pesic, Peter;
(2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space”
(/isis/citation/CBB001320409/)
Thesis
Patrick David-Jung Bonczyk;
(2021)
“Wond’rous Machines”: How Eighteenth-Century Harpsichords Managed the Human-Animal, Human-Machine Boundaries
(/isis/citation/CBB497166926/)
Chapter
Leman, Marc;
(2002)
Expressing Coherence of Musical Perception in Formal Logic
(/isis/citation/CBB000330016/)
Book
Peter Pesic;
(2017)
Polyphonic Minds: Music of the Hemispheres
(/isis/citation/CBB989492691/)
Article
Manning, Peter;
(2003)
The influence of recording technologies on the early development of electroacoustic music
(/isis/citation/CBB001181289/)
Article
Manuel Bertolini;
(2019)
Campanella, musica e storia culturale nel Rinascimento
(/isis/citation/CBB144018218/)
Thesis
Zhuqing Hu;
(2019)
From Ut Re Mi to Fourteen-Tone Temperament: The Global Acoustemologies of an Early Modern Chinese Tuning Reform
(/isis/citation/CBB144734757/)
Thesis
Katelyn Clark;
(2019)
The Early Pianoforte School in London’s Musical World, 1785–1800: Technology, Market, Gender, and Style
(/isis/citation/CBB679560387/)
Be the first to comment!