Patrick Ellis (Author)
In 1900, Paris had no skyscrapers, no tourist helicopters, no drones. Yet well before aviation made aerial views more accessible, those who sought such vantages had countless options available to them. They could take in the vista from an observation ride, see a painting of the view from Notre-Dame, or overlook a miniature model city. In Aeroscopics, Patrick Ellis offers a history of the view from above, written from below. Richly illustrated and premised upon extensive archival work, this interdisciplinary study reveals the forgotten media available to the public in the Balloon Era and after. Ellis resurrects these neglected spectacles as “aeroscopics,” opening up new possibilities for the history of aerial vision.
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Article
Bantjes, Rod;
(2014)
“Vertical Perspective Does Not Exist”: The Scandal of Converging Verticals and the Final Crisis of Perspectiva Artificialis
(/isis/citation/CBB001201302/)
Book
Emmanuelle Peraldo;
(2016)
Literature and Geography: The Writing of Space Throughout History
(/isis/citation/CBB555450832/)
Book
David Moon;
Nicholas Breyfogle;
Alexandra Bekasova;
(2021)
Place and Nature: Essays in Russian Environmental History
(/isis/citation/CBB179627017/)
Thesis
Moshenska, Joseph;
(2011)
“Feeling Pleasures”: The Sense of Touch in Renaissance England
(/isis/citation/CBB001567300/)
Article
Yaël Nazé;
(2023)
Reysa Bernson, the Unconventional Head of the First French Planetarium
(/isis/citation/CBB629451943/)
Thesis
Rossi, Michael Paul;
(2011)
The Rules of Perception: American Color Science, 1831--1931
(/isis/citation/CBB001567292/)
Book
Huhtamo, Erkki;
(2013)
Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles
(/isis/citation/CBB001421230/)
Article
Kim, Mi Gyung;
(2013)
Invention as a Social Drama: From an Ascending Machine to the Aerostatic Globe
(/isis/citation/CBB001320537/)
Thesis
Kirsten James;
(2019)
The Science of Scent and Business of Perfume in Paris and London, 1650–1815
(/isis/citation/CBB140299766/)
Article
Ned Weidner;
(2017)
Rotting Fish in Paradise: Putrefaction, Ecophobia, and Olfactory Imaginations of Southern California
(/isis/citation/CBB687778607/)
Article
Ernst Mach;
(2016)
Remarks on Scientific Applications of Photography
(/isis/citation/CBB907135089/)
Article
Pesic, Peter;
(2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space”
(/isis/citation/CBB001320409/)
Article
Ludwig Mach;
(2016)
On the Principle of Temporal Diminution in Serial Photography
(/isis/citation/CBB315427355/)
Article
Ione, Amy;
Tyler, Christopher;
(2003)
Neurohistory and the Arts: Was Kandinsky a Synesthete?
(/isis/citation/CBB000340386/)
Thesis
Watson, Cecelia Alexandre;
(2011)
William James and John La Farge: The Search for Truth in Art, Science, and Philosophy
(/isis/citation/CBB001567324/)
Article
Coombs, David Sweeney;
(2012)
An Untrained Eye: The Tachistoscope and Photographic Vision in Early Experimental Psychology
(/isis/citation/CBB001210229/)
Chapter
Ogilvie, Brian W.;
(2013)
The Pleasure of Describing: Art and Science in August Johann Rösel Von Rosenhof's Monthly Insect Entertainment
(/isis/citation/CBB001500477/)
Book
Vega, Jesusa;
(2010)
Ciencia, Arte e Ilusión en la España Ilustrada
(/isis/citation/CBB001201788/)
Chapter
Wade, Nicholas J.;
(2007)
The Vision of William Porterfield
(/isis/citation/CBB001032151/)
Thesis
Grandi, Giovanni Battista;
(2004)
Thomas Reid's Theory of Vision
(/isis/citation/CBB001561818/)
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