Patrick Ellis (Author)
In 1900, Paris had no skyscrapers, no tourist helicopters, no drones. Yet well before aviation made aerial views more accessible, those who sought such vantages had countless options available to them. They could take in the vista from an observation ride, see a painting of the view from Notre-Dame, or overlook a miniature model city. In Aeroscopics, Patrick Ellis offers a history of the view from above, written from below. Richly illustrated and premised upon extensive archival work, this interdisciplinary study reveals the forgotten media available to the public in the Balloon Era and after. Ellis resurrects these neglected spectacles as “aeroscopics,” opening up new possibilities for the history of aerial vision.
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Article
Bantjes, Rod;
(2014)
“Vertical Perspective Does Not Exist”: The Scandal of Converging Verticals and the Final Crisis of Perspectiva Artificialis
(/isis/citation/CBB001201302/)
Book
Huhtamo, Erkki;
(2013)
Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles
(/isis/citation/CBB001421230/)
Thesis
Rossi, Michael Paul;
(2011)
The Rules of Perception: American Color Science, 1831--1931
(/isis/citation/CBB001567292/)
Thesis
Kirsten James;
(2019)
The Science of Scent and Business of Perfume in Paris and London, 1650–1815
(/isis/citation/CBB140299766/)
Article
Ernst Mach;
(2016)
Remarks on Scientific Applications of Photography
(/isis/citation/CBB907135089/)
Thesis
Watson, Cecelia Alexandre;
(2011)
William James and John La Farge: The Search for Truth in Art, Science, and Philosophy
(/isis/citation/CBB001567324/)
Book
Rockett, Kevin;
Rockett, Emer;
(2011)
Magic Lantern, Panorama and Moving Picture Shows in Ireland, 1786--1909
(/isis/citation/CBB001201878/)
Thesis
Moshenska, Joseph;
(2011)
“Feeling Pleasures”: The Sense of Touch in Renaissance England
(/isis/citation/CBB001567300/)
Article
Kim, Mi Gyung;
(2013)
Invention as a Social Drama: From an Ascending Machine to the Aerostatic Globe
(/isis/citation/CBB001320537/)
Article
Yaël Nazé;
(2023)
Reysa Bernson, the Unconventional Head of the First French Planetarium
(/isis/citation/CBB629451943/)
Article
Ludwig Mach;
(2016)
On the Principle of Temporal Diminution in Serial Photography
(/isis/citation/CBB315427355/)
Article
Ione, Amy;
Tyler, Christopher;
(2003)
Neurohistory and the Arts: Was Kandinsky a Synesthete?
(/isis/citation/CBB000340386/)
Article
Pesic, Peter;
(2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space”
(/isis/citation/CBB001320409/)
Book
Vega, Jesusa;
(2010)
Ciencia, Arte e Ilusión en la España Ilustrada
(/isis/citation/CBB001201788/)
Thesis
Brantz, Ingeborg-Dorothee;
(2003)
Slaughter in the City: The Establishment of Public Abattoirs in Paris and Berlin, 1780--1914
(/isis/citation/CBB001560603/)
Article
Guy Boistel;
(2014)
Un "brévaire" pour les astronomes et les marins : la Connaisance des temps et les calculateurs de Bureau des longitudes, de Lalande à Loewy (1772-1907)
(/isis/citation/CBB499642987/)
Book
Emmanuelle Peraldo;
(2016)
Literature and Geography: The Writing of Space Throughout History
(/isis/citation/CBB555450832/)
Article
Violette Pouillard;
(2022)
Animal Feeding, Animal Experiments, and the Zoo as a Laboratory: Paris Ménagerie and London Zoo, ca. 1793–1939: The Zoo as a Laboratory
(/isis/citation/CBB204651103/)
Chapter
Ogilvie, Brian W.;
(2013)
The Pleasure of Describing: Art and Science in August Johann Rösel Von Rosenhof's Monthly Insect Entertainment
(/isis/citation/CBB001500477/)
Chapter
Wade, Nicholas J.;
(2007)
The Vision of William Porterfield
(/isis/citation/CBB001032151/)
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