Article ID: CBB379943842

Emozioni ed immagini della donna nella letteratura classica e nella Humana Physiognomonia di della Porta. (2022)

unapi

In Humana Physiognomonia, Giambattista Della Porta presents a rich catalog of female images still in vogue in his time, linked to the traditional model of a woman who is weak and fragile by nature, which is distinguished only in exceptional cases or when she assumes masculine connotations. Thanks to a continuous reference to classical, literary and philosophical sources, Della Porta confirms himself as an attentive connoisseur and interpreter of the reality he investigates to immerse himself in the depth of what is inside it and which determines the actions, virtue and vice in men.

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Authors & Contributors
Ballestriero, Roberta
Betti, Marco
Bragagnolo, Manuela
Burke, Owen
Verardi, Donato
Devriese, Lisa
Journals
Studi dellaportiani
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
Renaissance Studies
Osiris: A Research Journal Devoted to the History of Science and Its Cultural Influences
Journal of the History of the Neurosciences
Circumscribere: International Journal for the History of Science
Publishers
L'Erma di Bretschneider
Stanford University Press
Metropolitan Museum of Art
Leuven University Press
Ashgate Publishing
Agorà
Concepts
Human anatomy
Science and art
Physiognomy
Medicine
Medicine and art
Wax modeling
People
Della Porta, Giovan Battista
Montaigne, Michel Eyquem de
Rubens, Peter Paul
Raffael
Michelangelo Buonarroti
Leonardo da Vinci
Time Periods
Renaissance
Early modern
16th century
Ancient
17th century
Modern
Places
Italy
Europe
Middle and Near East
Assyria
Mexico
Mesopotamia
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