Article ID: CBB357602162

Beautiful Sounds, Beautiful Life: Cultivating Musical Listening through Hearing Aids in 1950s Japan (October 2022)

unapi

Hearing aids facilitated musical listening in postwar Japan in two distinctive ways. First, hearing aid developers and their associates in deaf education used assistive technologies to play music, thus promoting a new mode of listening that in their view would enhance deaf people's lives. Second, some developers sought to expand into general consumer music hardware, with Japanese and American sources marginalizing the hearing aid's role in postwar domestic electronics development. Hearing aid manufacturers formed multilateral, sociotechnical coalitions, cultivating what could be called a "regime of rhythm" form of listening: it emphasized the personal, transformative potential of music. Arguably that regime of rhythm was deeply intertwined in hearing aid manufacturers' public outreach campaigns, pedagogical practices at schools for the deaf, and consumer sound hardware, to promote the perceived maximum use of people's sensory abilities through listening to music.

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Authors & Contributors
Williamson, Bess
Petrick, Elizabeth
Mills, Mara C.
Devine, Kyle
Guffey, Elizabeth E.
Alper, Meryl
Journals
Science, Technology and Human Values
Rittenhouse: Journal of the American Scientific Instrument Enterprise
IEEE Technology and Society Magazine
IEEE Annals of the History of Computing
History and Technology
American Heritage of Invention and Technology
Publishers
Palgrave Pivot
Bloomsbury Visual Arts
University of California, San Diego
Emory University
Wesleyan University Press
University of Massachusetts Press
Concepts
Disabilities; disability; accessibility
Disability technology
Technology and society
Electronics
Auditory perception
Technology
People
Swail, James
Time Periods
20th century
21st century
19th century
20th century, late
Modern
Places
United States
Canada
Great Britain
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