Article ID: CBB342327129

Ripensare l'umanesimo musicale (2019)

unapi

Why should a journal on Renaissance culture dedicate a section to music? And what is the very definition of music in the context of intellectual history during the Renaissance period? These questions are an invitation to interrogate the historical motivation of today’s separation of musicology from the other fields of the humanities. Mirroring that invitation, this essay proposes to think about the role of musical knowledge in the construction of European culture. The Renaissance period is a fertile ground for a reflection of this sort: it was precisely during the 15th and 16th centuries that European culture saw an extraordinary convergence of mind and work of art and science that established the basis of the modern musical time.

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Authors & Contributors
Boccadoro, Brenno
Bellissima, Fabio
Bizzarini, Marco
Hicks, Andrew
Bertolini, Manuel
Lambert, Kevin
Journals
Micrologus: Nature, Sciences and Medieval Societies
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
Bollettino di Storia delle Scienze Matematiche
Mefisto: Rivista di medicina, filosofia, storia
Physics in Perspective
Publishers
Olschki
Gangemi Editore
Pavia University Press
Verso
Routledge
Oxford University Press
Concepts
Music
Harmony (music theory)
Philosophy
Musical instruments
Cosmology
Mathematics
People
Ptolemy, Claudius
Boethius, Anicius Manlius Severinus
Rameau, Jean Philippe
Kepler, Johannes
Fludd, Robert
Ficino, Marsilio
Time Periods
Renaissance
Medieval
Early modern
16th century
17th century
18th century
Places
Europe
Italy
Florence (Italy)
Institutions
Académie Royale des Sciences (France)
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