Article ID: CBB333427386

From Classification to Recreated ‘Reality’: William Bullock's Exhibitions of Human and Natural History (2020)

unapi

In his London Museum (1809), William Bullock organised displays of his animal collections into family and contextual groups within re-creations of their natural surroundings. Subsequently his displays of Saami material re-created its social environment. Bullock’s exhibitions signal a significant moment in the movement from the Linnaean-style classification of natural material by appearance to explanation of it through contextual and inherent qualities. A new kind of meaning was generated, bringing together the natural and the antiquarian in showing that the same approach transformed understanding of both. It shifted emphasis from eighteenth-century natural philosophy towards nineteenth-century science, both natural and human.

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Authors & Contributors
Adelman, Juliana
Alberti, Samuel J. M. M.
Anderson, Lyall I.
Berkowitz, Carin
Bloch, D.
Brinkman, Paul
Journals
Archives of Natural History
Historical Records of Australian Science
Journal of the History of Collections
Man
Proceedings of the California Academy of Sciences
Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences
Publishers
Manchester University Press
Berghahn Books
Harvard University Press
Oxford University Press
Palgrave Macmillan
Tectum Verlag
Concepts
Collectors and collecting
Museums
Natural history
Colonialism
Science and culture
Indigenous peoples; indigeneity
People
Bullock, William
Cook, James
Darwin, Charles Robert
Gould, John
Waterton, Charles
Becker, Lothar
Time Periods
19th century
20th century
18th century
20th century, early
21st century
Places
Great Britain
Australia
Chile
British Isles
North America
United States
Institutions
Brown University
Oxford University
Royal College of Surgeons, London
Hunterian Museum (London)
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