Article ID: CBB318397692

Walls and Gates, Windows and Mirrors: Urban Defences, Cultural Memory, and Security Theatre in Song Kaifeng (2014)

unapi

Kaifeng, the capital of the Northern Song (960-1127) dynasty, boasted sophisticated siege defence installations, which were ultimately breached by the Jurchen invasion of 1126-1127. According to both the archaeological and textual evidence, its concentric city walls and militarized gates with barbicans and bastions represented a crucial stage in the militarization of urban form in early-modern China, as well as a more open approach to planning. While Kaifeng’s urban defences evoked imperial majesty and personal security for Northern Song residents who described them, diasporic literati of the Southern Song (1127-1279) invoked the violation of this defensive perimeter as a metonym for the invasion of their lost homeland. The concept of security theatre explains how Northern Song Kaifeng’s city walls and gates could simultaneously function as efficacious siege defence installations and be perceived as symbolic defences.

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Authors & Contributors
Sun, Xiaochun
Qiao, Xunxiang
Han, Jishao
L. U. Mingxin
Ronald Egan
Joseph Dennis
Concepts
East Asia, civilization and culture
Medicine
Technology
Architecture
Science and government
Astronomy
Time Periods
Song Dynasty (China, 960-1279)
Tang dynasty (China, 618-907)
Medieval
Ancient
Yuan Dynasty (China, ca. 1260-1368)
Qing dynasty (China, 1644-1912)
Places
China
Greece
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