Article ID: CBB293432722

Les anges et les cieux, figures de l’harmonie universelle (2017)

unapi

The Concept of Harmony, a keystone of Leibniz’s philosophical System, results from a tradition that is deeply rooted in the ancient and medieval thought. In the wake of the Augustinian concept of «ordo rerum», medieval thinkers saw the Universe as an ordered and well structured whole that is both the result and the reflect of the Unity of God. In such a Universe, Angels have an intermediary function between the first principle and the material world; they namely act as celestial movers, thus determining the course of natural processes and the becoming of the material world. Insofar as circular movement of celestial Spheres is the greatest reflection of the fundamental harmony within the whole divine creation, angels contribute, more than any other creature, to the universal harmony.

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Authors & Contributors
Sarah Jeanne S. Parker
Sorokina, Maria
Hicks, Andrew
Panzica, Aurora
Petroff, Valery V.
Voskoboynikov, Oleg
Journals
Micrologus: Nature, Sciences and Medieval Societies
MHNH (Revista Internacional de Investigación sobre Magia y Astrología Antiguas)
Early Science and Medicine: A Journal for the Study of Science, Technology and Medicine in the Pre-modern Period
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
Thomist: A Speculative Quarterly Review
Publishers
Oxford University Press
Cambridge University Press
Pavia University Press
University of Scranton Press
Routledge
Leo S. Olschki
Concepts
Philosophy
Cosmology
Theology
Harmony (music theory)
Music
Celestial mechanics
People
Ptolemy, Claudius
Plato
Boethius, Anicius Manlius Severinus
Scot, Michael
Timaeus of Locri
Thomas Aquinas, Saint
Time Periods
Medieval
Ancient
Early modern
Renaissance
14th century
13th century
Places
Greece
Europe
Rome (Italy)
Byzantium
Italy
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