Article ID: CBB257155938

L’harmonie des parties du corps entre Moyen Âge et Renaissance (2017)

unapi

This paper explores how some medieval authors, from the thirteenth century onwards, dealt with the organization of the parts of the human body and the harmonious whole they formed. During the Renaissance, it is well known that anatomical knowledge, pictural or sculptural techniques and the tradition of physiognomy happened to join together in an innovative manner. Nevertheless, some trends prepared this convergence during the last centuries of the Middle Ages. Whereas words as "fabrica" or "elegans" were applied to the human body and its parts well before Andreas Vesalius, the junction between anatomy and physiognomy was made extensively by Albert the Great in his "De animalibus." The concept of "compositio" was at the heart of the description of the harmonious whole formed by the different parts. If Albert the Great related closely this fabricating process to the powers of the soul, Pietro d’Abano in his "Conciliator" considered "compositio," also named "coequalitas," as the work of the complexion. The new translation, from the Greek, of Galen’s "De usu partium," available from 1317, gave a new status to the anatomical science. Its influence is particularly visible in Jacques Despars’ commentary on Avicenna’s Canon, written in the first half of the fifteenth century: the anatomical science is not only praised for the information it provides to physicians, but for its demonstration of the beauty of the human body and the organization of its parts. Contemporary to Jacques Despars – and to Leon Battista Alberti – Michele Savonarola, in his "Speculum phisionomiae," alluded to "simmetria corporis" and to the measures of body parts used by painters, a topic that was more succinctly dealt with by Pietro d’Abano before him.

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Authors & Contributors
Ballestriero, Roberta
Crisciani, Chiara
Mascardi, Chiara
Betti, Marco
Vincenti, Denise
Speranza, Laura
Concepts
Medicine
Human anatomy
Anatomy
Medicine and art
Wax modeling
Science and art
Time Periods
Renaissance
Early modern
Medieval
13th century
14th century
16th century
Places
Europe
Italy
Bologna (Italy)
Mediterranean region
Florence (Italy)
Mexico
Institutions
University of Padua
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