Article ID: CBB238881930

Antoni van Leeuwenhoek, His Images and Draughtsmen (2019)

unapi

This article provides, for the first time, an overview of all images (drawings and prints) sent by the Dutch microscopist Antoni van Leeuwenhoek (1632–1723) to the Royal Society during their fifty-year long correspondence. Analyses of the images and close reading of the letters have led to an identification of three periods in which Leeuwenhoek worked together with artists. The first period (1673–1689) is characterized by the work of several draughtsmen as well as Leeuwenhoek’s own improving attempts to depict his observations. In the second period (1692–1712) Leeuwenhoek worked together with one unknown draughtsman, while the work in the third period (1713–1723) can now be attributed to the young draughtsman Willem vander Wilt. This article also shows how Leeuwenhoek did not only rely on draughtsmen for the depiction of his own observations, but rather, how he worked together with them in his workshop to observe, confirm, and witness microscopic experiments, replicating the collaborative working methods of the Royal Society in Delft.

...More
Citation URI
https://data.isiscb.org/isis/citation/CBB238881930/

Similar Citations

Chapter Goldman, Paul; (2013)
The History of Illustration and its Technologies (/isis/citation/CBB001500580/)

Article Etheridge, Kay; (2011)
Maria Sibylla Merian and the Metamorphosis of Natural History (/isis/citation/CBB001210122/)

Article Katherine M. Reinhart; (2019)
Richard Waller and the Fusion of Visual and Scientific Practice in the Early Royal Society (/isis/citation/CBB856781822/)

Article Pyle, Cynthia M.; (2000)
Art as science: Scientific illustration, 1490-1670 in drawing, woodcut and copper plate (/isis/citation/CBB000110905/)

Article Ogilvie, Brian W.; (2008)
Nature's Bible: Insects in Seventeenth-Century European Art and Science (/isis/citation/CBB001021790/)

Chapter Vermij, Rienk; (2011)
The Light of Nature and the Allegorisation of Science on Dutch Frontispieces around 1700 (/isis/citation/CBB001201619/)

Book Oleksijczuk, Denise; (2011)
The First Panoramas: Visions of British Imperialism (/isis/citation/CBB001421229/)

Book Olsen, Penny; (2008)
A Brush with Birds: Australian Bird Art from the National Library of Australia (/isis/citation/CBB001033757/)

Book Quilley, Geoff; Bonehill, John; (2004)
William Hodges, 1744--1797: The Art of Exploration (/isis/citation/CBB000651777/)

Article Brauckmann, Sabine; (2011)
Axes, Planes and Tubes, or the Geometry of Embryogenesis (/isis/citation/CBB001221526/)

Thesis Liebman, Elizabeth Amy; (2003)
Painting Natures: Buffon and the Art of the “Histoire naturelle” (/isis/citation/CBB001560564/)

Book Vega, Jesusa; (2010)
Ciencia, Arte e Ilusión en la España Ilustrada (/isis/citation/CBB001201788/)

Article Hanson, Craig Ashley; (2010)
Representing the Rhinoceros: The Royal Society between Art and Science in the Eighteenth Century (/isis/citation/CBB001032693/)

Article Felicity Henderson; (2019)
Robert Hooke and the Visual World of the Early Royal Society (/isis/citation/CBB121938548/)

Thesis Doherty, Meghan C.; (2010)
Carving Knowledge: Printed Images, Accuracy, and the Early Royal Society of London (/isis/citation/CBB001567175/)

Book Hunter, Matthew C.; (2013)
Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London (/isis/citation/CBB001213151/)

Authors & Contributors
Vega, Jesusa
Goldman, Paul
Vermij, Rienk H.
Schneider, Birgit
Reinhart, Katherine M.
Quilley, Geoff
Concepts
Science and art
Visual representation; visual communication
Illustrations
Scientific illustration
Natural history
Science and culture
Time Periods
18th century
17th century
19th century
20th century
Early modern
16th century
Places
Netherlands
Great Britain
London (England)
Spain
France
East Indies
Institutions
Royal Society of London
Comments

Be the first to comment!

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}

Log in or register to comment