Trucchio, Aldo (Author)
This study aims to outline the conception of modern European history that is the basis of Jean Starobinski’s studies of medical history but also to highlight its dialectical character. For Starobinski, art and modern thought were born from the reactions of what he calls “poetic language” to the birth and progress of scientific language. The dialectical relationship between these two languages, therefore, lies at the very foundation of European modernity and constitutes the engine of its becoming. Therefore, many of Starobinki’s essays aim to reproduce, in writing and through concepts, the movement of this complex relationship between art and science.
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Article
Bernardino Fantini;
(2020)
La coppia azione e reazione. Il viaggio semantico di Jean Starobinski
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Article
Fernando Vidal;
(2020)
Jean Starobinski: the history of medicine and the reasons of the body
(/isis/citation/CBB026491975/)
Book
Aldo Trucchio;
(2021)
Les deux langages de la modernité: Jean Starobinski entre littérature et science
(/isis/citation/CBB184504747/)
Article
Yamina Oudai Celso;
(2020)
Starobinski e Freud: miti e realtà di una relazione a distanza
(/isis/citation/CBB753618168/)
Book
Huneman, Philippe;
Lambert, Gérard;
Silberstein, Marc;
(2015)
Classification, Disease, and Evidence: New Essays in the Philosophy of Medicine
(/isis/citation/CBB001510440/)
Article
Carlo Gabbani;
(2020)
La malattia come testo. A partire da Starobinski
(/isis/citation/CBB697347540/)
Article
Naum S. Imyanitov;
(2016)
Dialectics and Synergetics in Chemistry: Periodic Table and Oscillating Reactions
(/isis/citation/CBB184833151/)
Book
Debapriya Sarkar;
(2023)
Possible Knowledge: The Literary Forms of Early Modern Science
(/isis/citation/CBB277855321/)
Thesis
Rosier, Lesli Carol;
(2000)
The Knowing of Sir Thomas Browne (1605--1682)
(/isis/citation/CBB001560823/)
Book
Nicola Mößner;
(2018)
Visual Representations in Science: Concept and Epistemology
(/isis/citation/CBB671493219/)
Thesis
Bartlett, Mark;
(2005)
Chronotopology and the Scientific-Aesthetic in Philosophy, Literature and Art
(/isis/citation/CBB001561562/)
Chapter
Geordie McComb;
(2012)
Thought Experiment, Definition, and Literary Fiction
(/isis/citation/CBB935102391/)
Article
Simone Guidi;
(2014)
La favola della materia. Epistemologia e narrazione nel Monde di Descartes
(/isis/citation/CBB753563749/)
Chapter
Vikko, Risto;
(2009)
The Logic Question During the First Half of the Nineteenth Century
(/isis/citation/CBB001210346/)
Chapter
Gianni Micheli;
(2016)
Lineamenti di una storia dialettica della scienza
(/isis/citation/CBB746521748/)
Book
Marco Castellari;
(2014)
Formula e metafora: figure di scienziati nelle letterature e culture contemporanee
(/isis/citation/CBB976488878/)
Article
Campion, Nicholas;
(2002)
Surrealist Cosmology: André Breton and Astrology
(/isis/citation/CBB000600628/)
Book
Griep, Mark;
Mikasen, Marjorie;
(2009)
ReAction! Chemistry in the Movies
(/isis/citation/CBB001021096/)
Thesis
Morse, Andrew Daniel;
(2003)
“A New Discipline of Vision”: The Synthesis of Poetic and Scientific Epistemologies in Contemporary Speculative Verse
(/isis/citation/CBB001561954/)
Chapter
Raffaella Vassena;
(2014)
Lo scienziato-filosofo e il soldato rivoluzionario in Aelita, 1922-1923, di Aleksej Tolstoj: dal romanzo al film
(/isis/citation/CBB103363152/)
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