Article ID: CBB236381252

Loren Eiseley's Substitution (2021)

unapi

The anthropologist and acclaimed essayist, Loren Eiseley, in the midst of recounting a vision in the conclusion of a draft of a 1960 composition, “Creativity and Modern Science,” invoked Charles Darwin as the essay’s animating spirit. Eiseley modified his draft the next year and published it in no less than three of his subsequent books. The most striking differences between his draft and published texts is the substitution of Darwin in the final moments of the narrative with Francis Bacon, a barrister and philosopher who died nearly two centuries before the famous biologist was born. Here, is crafted a rationale for this unlikely switch, to the extent that the intent of another can be uncovered, by closely reading Eiseley’s psychologically charged work. Eiseley’s own struggles as both a scientist and an artist, identities respectively epitomized by Darwin and Bacon, reveal how and why the writer permitted his foremost heroes to be substituted, one for the other.

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Authors & Contributors
Debaene, Vincent
Poncet, Christophe
Maria De Fanis
Di Giacomo, Giuseppe
Robert Ready
Michael Dee
Concepts
Science and literature
Philosophy
Science and art
Anthropology
Philosophy of science
Science and culture
Time Periods
20th century
19th century
17th century
20th century, early
Renaissance
18th century
Places
France
United States
Great Britain
England
Italy
Alabama (U.S.)
Institutions
University College, London
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