Naeem, Asma (Author)
Out of Earshot offers a reconfiguration of three of the nineteenth century’s most prolific painters: Winslow Homer (1836–1910), Thomas Eakins (1844–1916), and Thomas Dewing (1851–1939). Asma Naeem considers how these painters turned, in ways significant for their individual artistic ventures, to themes of sound and listening throughout their careers. She shows how the aural dimension of these artists’ pictures was an ideological product of period class, gender, cultural, racial, and technological discourses. Equally important, by looking at such materials as the artists’ papers, scientific illustrations, and technological brochures, Naeem argues that the work of these painters has complex and previously unconsidered connections to developments in sound and listening during a period when unprecedented innovation in the United States led to such inventions as the telegraph and phonograph and forged a technological narrative that continues to have force in the twenty-first century. Naeem's unusual approach to the work of these three well-known American artists offers a transformative account of artistic response during their own era and beyond.
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Book
Roland Wittje;
(2016)
The Age of Electroacoustics: Transforming Science and Sound
(/isis/citation/CBB301627147/)
Thesis
Whitney, Tyler;
(2013)
Spaces of the Ear: Literature, Media, and the Science of Sound, 1870--1930
(/isis/citation/CBB001562886/)
Chapter
Naeem, Asma;
(2012)
Splitting Sight and Sound: Thomas Dewing's a Reading, Gilded Age Women, and the Phonograph
(/isis/citation/CBB001421308/)
Book
Ross Barrett;
(2022)
Speculative Landscapes: American Art and Real Estate in the Nineteenth Century
(/isis/citation/CBB978426644/)
Article
Melo, Victor Andrade de;
Peres, Fabio de Faria;
(2010)
Sport, medicina e arte: a “ciência encantada” do corpo nas obras de Thomas Eakins
(/isis/citation/CBB001420441/)
Book
Morris, Adalaide Kirby;
(1997)
Sound states: Innovative poetics and acoustical technologies
(/isis/citation/CBB001181302/)
Article
Barker, Clyde F.;
(2009)
Thomas Eakins and His Medical Clinics
(/isis/citation/CBB001232045/)
Book
Leja, Michael;
(2004)
Looking Askance: Skepticism and American Art from Eakins to Duchamp
(/isis/citation/CBB000741894/)
Article
Hall, Diana Long;
(1985)
Eakins' Agnew Clinic: The medical world in transition
(/isis/citation/CBB000008598/)
Chapter
Aimée Boutin;
(2021)
Chapter 1. The Railway Arts: Sound and Space Beyond Borders
(/isis/citation/CBB454947584/)
Article
Dowd, Timothy J.;
(2004)
Production perspectives in the sociology of music
(/isis/citation/CBB001181223/)
Article
Yuen Chee Wai;
En-Chieh Chao;
(2023)
Bioacoustics as Forms of Resistance: Growing Mycelium Instruments and Mushroom Communication in a High-Tech City-State
(/isis/citation/CBB627288892/)
Book
Kahn, Douglas;
(1999)
Noise, water, meat: A history of sound in the arts
(/isis/citation/CBB001181259/)
Article
Schwartz, Hillel;
(2005)
Geluid: Geluid in kunst en cultuur. Special issue on sound
(/isis/citation/CBB001181360/)
Article
Xu, Chuan;
(September 2019)
From Sonic Models to Sonic Hooligans: Magnetic Tape and the Unraveling of the Mao-Era Sound Regime, 1958–1983
(/isis/citation/CBB729484710/)
Book
Minard, Robin;
Schulz, Bernd;
Barthelmes, Barbara;
(1999)
Robin Minard: Silent music: Zwischen Klangkunst und Akustik-Design = Between sound art and acoustic design
(/isis/citation/CBB001181301/)
Book
Dillon, Emma;
(2012)
The Sense of Sound: Musical Meanings in France, 1260--1330
(/isis/citation/CBB001201434/)
Thesis
Amanda Beardsley;
(2019)
Celestial Mechanics: Technologies of Salvation in the Church of Jesus Christ of Latter-Day Saints and American Culture
(/isis/citation/CBB556098679/)
Book
W. Patrick McCray;
(2020)
Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture
(/isis/citation/CBB401442708/)
Chapter
Petroski, Henry;
(2008)
Calder as artist-engineer: Vectors velocities
(/isis/citation/CBB001180718/)
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