Nick Prior—Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, Popular Music, Digital Technology and Society (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science and technology studies (STS), Prior examines a variety of contexts in which these changes have been felt, including the novel spaces and structures of both music production and consumption afforded by digitalization, the co-construction of vocal subjects and vocal sound-processing technologies, the tactical use of portable media by young urbanites to mediate their relationship to the city, and the conjunction of music and play in the ever-growing video game sector. In addition to an acute sense for their embeddedness in the social lives of their various users, Prior also demonstrates a notable fluency with the technologies he describes as well as a distinctively musical interest in the sounds that they have been used to produce.
...MoreBook Nick Prior (2018) Popular Music, Digital Technology and Society.
Article
Alfred Lameli;
(2018)
Alte Karten, neue Daten. Zur Transformation eines historischen Grundlagenwerks der Sprachwissenschaft
(/isis/citation/CBB380372109/)
Article
Reijer Hendrikse;
Ilke Adriaans;
Tobias J. Klinge;
Rodrigo Fernandez;
(2022)
The Big Techification of Everything
(/isis/citation/CBB019537404/)
Book
Nick Prior;
(2018)
Popular Music, Digital Technology and Society
(/isis/citation/CBB015467493/)
Chapter
Alexandrine Boudreault-Fournier;
(2021)
Street Net and Electronic Music in Cuba
(/isis/citation/CBB531379186/)
Book
John Cheney-Lippold;
(2017)
We are data : Algorithms and the making of our digital selves
(/isis/citation/CBB593815757/)
Article
David Moats;
(2019)
Following the Fukushima Disaster on (and against) Wikipedia: A Methodological Note about STS Research and Online Platforms
(/isis/citation/CBB273132193/)
Book
Emiliano Treré;
(2019)
Hybrid media activism : Ecologies, imaginaries, algorithms
(/isis/citation/CBB953847626/)
Book
Michael Century;
(2022)
Northern sparks : Innovation, technology policy, and the arts in Canada from Expo 67 to the Internet age
(/isis/citation/CBB876203673/)
Thesis
Felix E. Rietmann;
(2018)
Seeing the Infant Audiovisual Technologies and the Mind Sciences of the Child
(/isis/citation/CBB857801861/)
Book
Corrina Laughlin;
(2021)
Redeem All: How Digital Life Is Changing Evangelical Culture
(/isis/citation/CBB828653011/)
Book
Rachel K. Gibson;
(2020)
When the Nerds Go Marching In: How Digital Technology Moved from the Margins to the Mainstream of Political Campaigns
(/isis/citation/CBB385530642/)
Article
Frank Mondelli;
(October 2022)
Beautiful Sounds, Beautiful Life: Cultivating Musical Listening through Hearing Aids in 1950s Japan
(/isis/citation/CBB357602162/)
Book
Lysloff, René T. A.;
Gay, Leslie C.;
(2003)
Music and technoculture
(/isis/citation/CBB001181287/)
Book
Kyle Devine;
(2019)
Decomposed: The Political Ecology of Music
(/isis/citation/CBB083266242/)
Book
O'Hara, Kenton;
Brown, Barry;
(2006)
Consuming music together: Social and collaborative aspects of music consumption technologies
(/isis/citation/CBB001181311/)
Article
Hans-Joachim Braun;
(2014)
All Ears: ICOHTEC, Sound and Music
(/isis/citation/CBB739542616/)
Article
Dannenberg, Roger B.;
(2014)
Human-Computer Music Performance: A Brief History and Future Prospects
(/isis/citation/CBB001201085/)
Chapter
Lauren Flood;
(2021)
The Sounds of Zombie Media: Waste and the Sustainable Afterlives of Repurposed Technologies
(/isis/citation/CBB653338194/)
Book
Sinnreich, Aram;
(2010)
Mashed Up: Music, Technology, and the Rise of Configurable Culture
(/isis/citation/CBB001035566/)
Chapter
Brennan Matt;
(2021)
The Infrastructure and Environmental Consequences of Live Music
(/isis/citation/CBB407925671/)
Be the first to comment!