Mazierska, Ewa (Editor)
Rigg, Tony (Editor)
Gillon, Les (Editor)
Popular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumption of music and what changes in the music industry can tell us about wider shifts in economy and culture. This collection of 13 case studies covers issues such as curation algorithms, blockchain, careers of mainstream and independent musicians, festivals and clubs-to inform greater understanding and better navigation of the popular music landscape within a global context. (Publisher)
...MoreReview J. Martin Vest (January 2020) Review of "Popular music in the post-digital age: politics, economy, culture and technology". Technology and Culture (pp. 382-383).
Article
Scholz, Tom;
(Spring 2016)
An Interview with . . . Tom Scholz
(/isis/citation/CBB500872908/)
Book
Burkart, Patrick;
(2010)
Music and cyberliberties
(/isis/citation/CBB001181189/)
Book
Nyre, Lars;
(2008)
Sound media: From live journalism to music recording
(/isis/citation/CBB001181310/)
Book
Ayers, Michael D.;
(2006)
Cybersounds: Essays on virtual music culture
(/isis/citation/CBB001181152/)
Book
Ragnhild Brøvig-Hanssen;
Anne Danielsen;
(2017)
Digital Signatures: The Impact of Digitization on Popular Music Sound
(/isis/citation/CBB918206806/)
Book
Jonathan Taplin;
(2017)
Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy
(/isis/citation/CBB352343227/)
Book
Winters, Paul E.;
(2016)
Vinyl records and analog culture in the digital age: pressing matters
(/isis/citation/CBB579239127/)
Book
Nick Prior;
(2018)
Popular Music, Digital Technology and Society
(/isis/citation/CBB015467493/)
Book
O'Hara, Kenton;
Brown, Barry;
(2006)
Consuming music together: Social and collaborative aspects of music consumption technologies
(/isis/citation/CBB001181311/)
Book
Jenkins, Henry;
(2006)
Convergence culture: Where old and new media collide
(/isis/citation/CBB001180098/)
Article
Àngel Calvo Calvo;
(2019)
Tecnología y Empresa en la Industria Española de la Electrónica, las Telecomunicaciones y la Defensa: Marconi Española [Technology and Enterprise in the Spanish Industry of Electronics, Telecommunications, and Defense: Marconi Española]
(/isis/citation/CBB614392180/)
Article
Korczynski, Marek;
Pickering, Michael;
Robertson, Emma;
Jones, Keith;
(2005)
“We sang ourselves through that war”: Women, music and factory work in World War Two
(/isis/citation/CBB001181268/)
Book
Dinerstein, Joel;
(2003)
Swinging the machine: Modernity, technology, and African American culture between the World Wars
(/isis/citation/CBB001181225/)
Book
Kenney, William Howland;
(1999)
Recorded music in American life: The phonograph and popular memory, 1890--1945
(/isis/citation/CBB001181270/)
Article
Gay, Leslie C.;
(1998)
Acting up, talking tech: New York rock musicians and their metaphors of technology
(/isis/citation/CBB001181237/)
Article
Russell, Andrew Lawrence;
James L. Pelkey;
Loring Robbins;
(Spring 2022)
The Business of Internetworking: Standards, Start-Ups, and Network Effects
(/isis/citation/CBB136746708/)
Book
Leslie Berlin;
(2017)
Troublemakers: Silicon Valley’s Coming of Age
(/isis/citation/CBB139563202/)
Book
Anat Rosenberg;
(2022)
The rise of mass advertising : Law, enchantment, and the cultural boundaries of British modernity
(/isis/citation/CBB089807670/)
Book
Julia Winterson;
(2022)
Railways & Music
(/isis/citation/CBB882866512/)
Book
Fred Botting;
Catherine Spooner;
(2015)
Monstrous Media/Spectral Subjects: Imaging Gothic from the Nineteenth Century to the Present
(/isis/citation/CBB966967924/)
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