Article ID: CBB172664092

Da Leonardo da Vinci a Bernardino Genga. I trattati per i “curatori delle ferite” e gli “statuari e pittori” (2020)

unapi

This essay deals with Leonardo da Vinci’s intention to create two anatomical treatises concerning the locomotor apparatus (but also covering the routing of veins and nerves) – one for sculptors and painters, for their artistic representations, and one to aid surgeons (whose activities were the care of wounds, phlebotomy and treatment of dislocations). Leonardo’s project was only achieved in the second half of the Seventeenth Century by the anatomist Bernardino Genga (1620-1690), to whom we owe a treatise on Surgical Anatomy (Anatomia chirurgica…, 1672) as well as the preparation of anatomical material for a treatise on Artistic Anatomy which was published by the Academy of France in Rome under the direction of Charles Errard (Anatomia per uso et intelligenza del disegno…, 1691). This essay describes the structure of these two treatises, relating them to Leonardo da Vinci’s anatomical studies and drawings.

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Authors & Contributors
Laurenza, Domenico
Piro, Rosa
Ginn, Sheryl R.
Lorusso, Lorenzo
Hilloowala, Rumy
Clayton, Martin
Journals
Mefisto: Rivista di medicina, filosofia, storia
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
Journal of the History of the Neurosciences
Vesalius
Nature
Atti e Memorie, Rivista di Storia della Farmacia
Publishers
Olschki
Leo S. Olschki
Metropolitan Museum of Art
Bryn Mawr College
L'Erma di Bretschneider
Pennsylvania State University Press
Concepts
Human anatomy
Medicine and art
Medicine
Anatomy
Science and art
Dissection
People
Leonardo da Vinci
Michelangelo Buonarroti
Galen
Raffael
Cardano, Girolamo
Vesalius, Andreas
Time Periods
Renaissance
16th century
15th century
17th century
Early modern
18th century
Places
Italy
Florence (Italy)
Milan (Italy)
Paris (France)
France
Europe
Institutions
Venice. Collegio di Medici
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