Betsy Fahlman (Author)
This thematic issue of IA on art and industry is the third with Fahlman as guest editor. The articles that are published here represent a range of periods and media. All but one of the essayists are voices new to IA. Nine are on American art, while a tenth is on a German artist. The largest collection of the German's work in the United States is at the Grohmann Museum at the Milwaukee School of Engineering, one of only two collections in the nation devoted to industrial art (the other is the Steidle Collection at Penn State).
...MoreArticle Patrick J. Jung (2008) Erich Mercker and "Technical Subjects": Industrial Painting in the Eras of Weimar and Nazi Germany. IA. The Journal of the Society for Industrial Archeology (pp. 149-164).
Article James C. Boyles (2008) "Under a Spreading Chestnut-Tree": The Blacksmith and His Forge in Nineteenth-Century American Art. IA. The Journal of the Society for Industrial Archeology (pp. 9-24).
Article Kenneth W. Maddox (2008) Cropsey's Paintings of the "Fog Company" and the Industrial Riverside of Hastings-on-Hudson. IA. The Journal of the Society for Industrial Archeology (pp. 25-39).
Article Mary Anne Goley (2008) John White Alexander's Industrial Lunettes for the Pennsylvania State Capitol: The Unfinished Story. IA. The Journal of the Society for Industrial Archeology (pp. 41-57).
Article John H. Kopmeier (2008) From Mayville to Milwaukee: The Visual Culture of the Iron and Steel Industry in Southeastern Wisconsin. IA. The Journal of the Society for Industrial Archeology (pp. 59-72).
Article Cody Hartley (2008) Maria Martinez, Industrial Designer. IA. The Journal of the Society for Industrial Archeology (pp. 73-86).
Article Rosalind Shipley (2008) The Town That Photography Built: Images from the Consolidation Coal Company Photograph Collection, 1911–1946. IA. The Journal of the Society for Industrial Archeology (pp. 87-100).
Article Jadviga M. da Costa Nunes (2008) From Monuments to Memory Sites: Representing Pennsylvania's Anthracite Industry in Public Sculpture, 1855-2010. IA. The Journal of the Society for Industrial Archeology (pp. 101-116).
Article Cynthia Roznoy (2008) Connecticut's Tobacco Industry: Harold Barbour, Jack Delano, and the WPA. IA. The Journal of the Society for Industrial Archeology (pp. 117-134).
Article James R. Kieselburg (2008) Midwestern Images of Labor: Wisconsin Artists and Their Portrayal of Industry. IA. The Journal of the Society for Industrial Archeology (pp. 135-148).
Article
Betsy Fahlman;
(2006)
Current Research on the Art of Industry Artists at Work: Imaging Place, Work, and Process
(/isis/citation/CBB440339075/)
Article
Anne Cannon Palumbo;
(1986)
The Cathedral and the Factory: The Transformation of Work in the Art of Joseph Pennell
(/isis/citation/CBB499370698/)
Article
Eric J. Schruers;
(2002)
John Willard Raught, Corwin Knapp Linson, and Stephen Crane: Picturing the Pennsylvania Coal Industry in Word and Image
(/isis/citation/CBB856966385/)
Article
Kenneth W. Maddox;
(2008)
Cropsey's Paintings of the "Fog Company" and the Industrial Riverside of Hastings-on-Hudson
(/isis/citation/CBB218671990/)
Article
Betsy Fahlman;
(2002)
Introduction: The Art of American Industry
(/isis/citation/CBB432660379/)
Article
John H. Kopmeier;
(2008)
From Mayville to Milwaukee: The Visual Culture of the Iron and Steel Industry in Southeastern Wisconsin
(/isis/citation/CBB079353696/)
Article
Jadviga M. da Costa Nunes;
(2002)
Pennsylvania's Anthracite Mines and Miners: A Portrait of the Industry in America Art, c. 1860-1940
(/isis/citation/CBB051842588/)
Article
Jadviga M. da Costa Nunes;
(1986)
The Industrial Landscape in America, 1800-1840: Ideology into Art
(/isis/citation/CBB232998116/)
Article
Patrick J. Jung;
(2008)
Erich Mercker and "Technical Subjects": Industrial Painting in the Eras of Weimar and Nazi Germany
(/isis/citation/CBB016073968/)
Article
James R. Kieselburg;
(2008)
Midwestern Images of Labor: Wisconsin Artists and Their Portrayal of Industry
(/isis/citation/CBB336492281/)
Article
Melissa Dabakis;
(1986)
The Individual vs. the Collective: Images of the American Worker in the 1920s
(/isis/citation/CBB041164844/)
Book
Charles L. Amos;
Brook T. Amos;
(2019)
Iron Horses and Paintbrushes: My Life as a Railroad Man and Artist
(/isis/citation/CBB017033830/)
Book
Gabriella Giannachi;
(2022)
Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art
(/isis/citation/CBB639035121/)
Article
Cynthia Roznoy;
(2008)
Connecticut's Tobacco Industry: Harold Barbour, Jack Delano, and the WPA
(/isis/citation/CBB159281308/)
Article
W. Patrick McCray;
(2022)
Art Out of Order: Jack Burnham, the 1970 Software Show, and the Aesthetics of Information Systems
(/isis/citation/CBB545754371/)
Article
Patty Dean;
Sharon Reid;
(2011)
From State-of-the-Art to Estate for the Arts: The Evolving Cultural Landscapes of the Western Clay Manufacturing Company and the Archie Bray Foundation for the Ceramic Arts
(/isis/citation/CBB085269941/)
Article
Caleb Wellum;
(October 2017)
The Ambivalent Aesthetics of Oil: Project Documerica and the Energy Crisis in 1970s America
(/isis/citation/CBB145565896/)
Article
David Guise;
(2006)
The Evolution of the Warren, or Triangular, Truss
(/isis/citation/CBB170662984/)
Article
Aryana Soliz;
(December 2019)
Exploring Cycling Practices in Central Mexico through a Local Repair Shop
(/isis/citation/CBB076394838/)
Book
Paul Raphaelson;
(2017)
Brooklyn's sweet ruin: Relics and stories of the Domino Sugar Refinery
(/isis/citation/CBB819089735/)
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