Article ID: CBB109948939

Animating Embryos: The in toto Representation of Life (2017)

unapi

With the recent advent of systems biology, developmental biology is taking a new turn. Attempts to create a ‘digital embryo’ are prominent among systems approaches. At the heart of these systems-based endeavours, variously described as ‘in vivo imaging’, ‘live imaging’ or ‘in toto representation’, are visualization techniques that allow researchers to image whole, live embryos at cellular resolution over time. Ultimately, the aim of the visualizations is to build a computer model of embryogenesis. This article examines the role of such visualization techniques in the building of a computational model, focusing, in particular, on the cinematographic character of these representations. It asks how the animated representation of development may change the biological understanding of embryogenesis. By situating the animations of the digital embryo within the iconography of developmental biology, it brings to light the inextricably entwined, yet shifting, borders between the animated, the living and the computational.

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Authors & Contributors
Baker, Kevin T.
Moa Carlsson
Julie Jebeile
Wiertz, Thilo
Rosenberger, Robert
Cohen, Sara Jo
Journals
Perspectives on Science
Wiley Interdisciplinary Reviews: Climate Change
Studies in History and Philosophy of Science Part B: Studies in History and Philosophy of Modern Physics
Studies in History and Philosophy of Science
Social Studies of Science
Science, Technology and Human Values
Publishers
Oxford University Press
Lit
Brill
Ashgate
University of Minnesota
Concepts
Models and modeling in science
Visual representation; visual communication
Computer Simulation
Medicine and technology, relationships
Climate and climatology
Imaging technology
People
Garfield, James Abram
Poincaré, Jules Henri
Mann, Thomas
Mailer, Norman
Ihde, Don
Time Periods
21st century
20th century, late
20th century
19th century
20th century, early
Places
United States
Wales
Europe
Great Britain
Institutions
Club of Rome
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