By the second half of the sixteenth century, anatomy had become a conflicted resource for surgeons. Emphasized in a clinical context, anatomical experience was connected not only to less error, but to a practitioner’s violent approach to the living body of the patient. Taking the case study of two practitioners in late sixteenth-century Venice, this essay explores the problem of anatomy and the emergence of a more robust language of manual skill, with terms drawn from the visual arts.
...MoreBook Benjamin Goldberg; Peter Distelzweig; Evan R. Ragland (2015) Early Modern Medicine and Natural Philosophy.
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Paola Salvi;
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Gabriele Marasco;
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Michael Stolberg;
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Bartolini, Donatella;
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On the Borders: Surgeons and their Activities in the Venetian State (1540--1640)
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Susanna Berger;
(2021)
Georg Bartisch’s Ophthalmodouleia and His Theory of Painting and Drawing
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Laura Speranza;
(2019)
Cellini, Giambologna, Zumbo and their Works in Ceroplastics. The long Experience of the Opificio delle Pietre Dure in Florence between Methodology and Experimentation
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Roberta Ballestriero;
Owen Burke;
Francesco Galassi;
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Ceroplastics: The Art of Wax
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Pietro Conte;
(2019)
Waxworks Unframed
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Eleanor Crook;
(2019)
The Immortality of Wax. The magic of a volatile medium
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Marco Betti;
(2019)
No Mere Teaching Tools: Wax Sculpture in Tuscany from the Medici through the Early Lorraine Dynasties
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Anna Maria Ieraci Bio;
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Giorgio Valla e la medicina: disegni anatomici e nomenclatura greca delle parti del corpo umano nel Mutin. a. W.5.5. (gr. 165)
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Danielle Jacquart;
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L’harmonie des parties du corps entre Moyen Âge et Renaissance
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Roberta Ballestriero;
(2019)
From Flesh to Wax. A Journey throughout History, Science, Religion and Literature
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Konrad Schlegel;
(2019)
Julius von Schlosser and the Collection of Wax Artefacts in the Kunstkammer of the Kunsthistorisches Museum Vienna
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Cynthia Klestinec;
(2018)
Vesalius among the Surgeons
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