Book ID: CBB097059323

The Sound of Innovation: Stanford and the Computer Music Revolution (2015)

unapi

Nelson, Andrew J. (Author)


MIT Press
Inside Technology


Publication Date: 2015
Edition Details: Book Series: Inside Technology
Physical Details: 236
Language: English

In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford’s Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA’s interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford’s outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book’s website provides access to original historic documents and other material.

...More
Reviewed By

Review R. Varma; O. Marshall (2018) Review of "The Sound of Innovation: Stanford and the Computer Music Revolution". IEEE Annals of the History of Computing (pp. 88-91). unapi

Essay Review David Theodore (2018) Past Calculations: New Histories of Computing Technology. Scientia Canadensis: Journal of the History of Canadian Science, Technology, and Medicine (pp. 98-103). unapi

Review Tim Boon (2017) Review of "The Sound of Innovation: Stanford and the Computer Music Revolution". British Journal for the History of Science (pp. 560-562). unapi

Review Simon Zagorski-Thomas (October 2016) Review of "The Sound of Innovation: Stanford and the Computer Music Revolution". Technology and Culture (pp. 1039-1041). unapi

Citation URI
https://data.isiscb.org/isis/citation/CBB097059323/

Similar Citations

Book Braun, Hans-Joachim; (2002)
Music and technology in the twentieth century (/isis/citation/CBB001180135/)

Book Millard, A. J.; (2004)
The electric guitar: A history of an American icon (/isis/citation/CBB001180133/)

Article Mody, Cyrus C. M.; Nelson, Andrew J.; (2013)
“A Towering Virtue of Necessity”: Interdisciplinarity and the Rise of Computer Music at Vietnam-Era Stanford (/isis/citation/CBB001320392/)

Book Glinsky, Albert; (2000)
Theremin: Ether music and espionage (/isis/citation/CBB001181240/)

Article Lopes, Paul; (1992)
Innovation and diversity in the popular music industry, 1969 to 1990 (/isis/citation/CBB001181286/)

Book Sinnreich, Aram; (2010)
Mashed Up: Music, Technology, and the Rise of Configurable Culture (/isis/citation/CBB001035566/)

Chapter Mowitt, John; (1987)
The sound of music in the era of its electronic reproducibility (/isis/citation/CBB001181304/)

Chapter Durant, Alan; (1990)
A new day for music? Digital technologies in contemporary music-making (/isis/citation/CBB001181227/)

Book Daniel Warner; (2017)
Live Wires: A History of Electronic Music (/isis/citation/CBB353866426/)

Book Prieberg, Fred K.; (1960)
Musica ex machina; über das Verhältnis von Musik und Technik (/isis/citation/CBB001181334/)

Book Shapiro, Peter; Lee, Iara; (2000)
Modulations: A history of electronic music: Throbbing words on sound (/isis/citation/CBB001181363/)

Chapter Pinch, Trevor; (2006)
Voices in the electronic music synthesizer: An essay in honor of Don Ihde (/isis/citation/CBB001181329/)

Book Morris, Adalaide Kirby; (1997)
Sound states: Innovative poetics and acoustical technologies (/isis/citation/CBB001181302/)

Article Pinch, Trevor; Trocco, Frank; (1999)
The social construction of the early electronic music synthesizer (/isis/citation/CBB001181321/)

Chapter Pinch, Trevor; (2002)
The social construction of the synthesizer (/isis/citation/CBB001181326/)

Book Prendergast, Mark J.; (2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age (/isis/citation/CBB001181333/)

Article Gay, Leslie C.; (1998)
Acting up, talking tech: New York rock musicians and their metaphors of technology (/isis/citation/CBB001181237/)

Thesis Vettel, Eric James; (2003)
Research Life: Bioscientists, the Bay Area, and a Research Revolution; 1946--1972 (/isis/citation/CBB001562333/)

Authors & Contributors
Pinch, Trevor
Shapiro, Peter
Prieberg, Fred K.
Prendergast, Mark J.
Mowitt, John
Morris, Adalaide Kirby
Concepts
Technology and music
Music, electronic
Musical instruments
Music
Sound studies
Sound Recording Industry
Time Periods
20th century
21st century
20th century, late
19th century
Places
United States
Japan
Germany
California (U.S.)
Soviet Union
Institutions
Stanford University
University of California
Comments

Be the first to comment!

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}

Log in or register to comment