Article ID: CBB091827034

Reusable and Nonreusable Films: From Ballistic Films to the Encyclopaedia Cinematographica (2021)

unapi

The film Fracture Phenomena in Glass is a noteworthy case of a film reuse: it was published in the Encyclopaedia Cinematographica (EC) in 1976, bearing the signature E 2355. In this instance, surprisingly, the Institut für den Wissenschaftlichen Film (Institute for Scientific Film [IWF]), which produced, edited, distributed, and archived the EC films, reused ballistic film recordings from World War II. Produced at the Ballistic Institute of the Berlin-Gatow Air War Academy in 1942–1943 under the direction of Hubert Schardin, they were first published in 1944 as C 433 by the National Socialist predecessor institution, the Reich Institute for Film and Images in Science and the Classroom (Reichsanstalt für Film und Bild in Wissenschaft und Unterricht [RWU]). This reuse suggests that at least some of the EC films bear witness to telling discrepancies in political, historical, and epistemological classification within a distinctive worldwide project of postwar visual film research. This essay considers the controversial role of the encyclopedist Gotthard Wolf and the institutional history of the RWU/IWF by looking at examples of the reuse—or nonreuse—of ballistic films and concepts.

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Article Anja Sattelmacher; Mario Schulze; Sarine Waltenspül (2021) Introduction: Reusing Research Film and the Institute for Scientific Film. Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 291-298). unapi

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Authors & Contributors
Schulze, Mario
Sattelmacher, Anja
Cioci, Vincenzo
Bini, Elisabetta
Shahare, Mahendra
Vezzosi, Elisabetta
Journals
Isis: International Review Devoted to the History of Science and Its Cultural Influences
Physis: Rivista Internazionale di Storia della Scienza
Journal Electronique d'Histoire des Probabilités et de la Statistique
History of Science
History and Philosophy of the Life Sciences
Almagest
Publishers
Silvio Zamorani Editore
Pavia University Press
Wallstein Verlag
Viella
University of Chicago Press
Transcript
Concepts
Science and war; science and the military
Science and film
Science and society
World War II
Visual representation; visual communication
Science and politics
People
Heisenberg, Werner
Weinberg, Alvin Martin
Urban, Charles
Rüdin, Ernst
Popoff, Kyrille
Planck, Max
Time Periods
20th century
20th century, early
19th century
Places
Germany
United States
Hiroshima-shi (Japan)
Japan
Italy
France
Institutions
Société de Statistique de Paris
Kaiser-Wilhelm-Institut für Physik, Berlin
Kaiser-Wilhelm-Gesellschaft zur Förderung der Wissenschaften
Interessengemeinschaft Farbenindustrie Aktiengesellschaft
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