Article ID: CBB084466593

The Aesthetics of Pain: Semiotics and Affective Comprehension in Music, Literature, and Sensate Experience (2018)

unapi

This essay examines the extreme experience of pain in relation to the aesthetic experiences of music, poetry, and discursive prose. It argues that experience in general is conditioned by schemas of experience that direct attention and expectation, and for this reason, while it feels immediate—with the immediacy of experience being its defining quality—nevertheless experience, as such, is mediated. Semiotics—and the human sciences more generally—analyze such mediations. Furthermore, it argues, following the philosopher of music Victor Zuckerkandl, that experience as such cannot be understood as the epiphenomenon of (and thereby reducible to) either physics or psychology: that is, that it cannot be understood solely as a "natural fact" or solely as a "cultural construction."

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Citation URI
https://data.isiscb.org/isis/citation/CBB084466593/

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Authors & Contributors
Dugan, Holly
Kaufholz-Soldat, Eva
Kennedy, T. Frank
Kleinschmidt, Harald
Lanzoni, Susan Marie
Maurer, Kathrin
Journals
British Society for the History of Mathematics Bulletin
Configurations: A Journal of Literature, Science, and Technology
Galilæana: Journal of Galilean Studies
German History
History and Philosophy of the Life Sciences
Journal of the History of the Behavioral Sciences
Publishers
Cambridge University Press
Boydell Press
Duke University Press
Edinburgh University Press
Johns Hopkins University Press
Mimesis
Concepts
Aesthetics
Senses and sensation; perception
Literature
Science and culture
Music
Historiography
People
Della Porta, Giovan Battista
Freud, Sigmund
Kant, Immanuel
Lacan, Jacques
Lee, Vernon (Violet Paget)
Kovalevskaia, Sof'ia Vasil'evna
Time Periods
19th century
21st century
Medieval
Renaissance
16th century
20th century
Places
Germany
Italy
England
Great Britain
Europe
Japan
Institutions
Jesuits (Society of Jesus)
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