Article ID: CBB084466593

The Aesthetics of Pain: Semiotics and Affective Comprehension in Music, Literature, and Sensate Experience (2018)

unapi

This essay examines the extreme experience of pain in relation to the aesthetic experiences of music, poetry, and discursive prose. It argues that experience in general is conditioned by schemas of experience that direct attention and expectation, and for this reason, while it feels immediate—with the immediacy of experience being its defining quality—nevertheless experience, as such, is mediated. Semiotics—and the human sciences more generally—analyze such mediations. Furthermore, it argues, following the philosopher of music Victor Zuckerkandl, that experience as such cannot be understood as the epiphenomenon of (and thereby reducible to) either physics or psychology: that is, that it cannot be understood solely as a "natural fact" or solely as a "cultural construction."

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Authors & Contributors
Brain, Robert Michael
Clelanda, Kent
Dugan, Holly
Kaufholz-Soldat, Eva
Kennedy, T. Frank
Kleinschmidt, Harald
Journals
British Society for the History of Mathematics Bulletin
Configurations: A Journal of Literature, Science, and Technology
European Legacy
German History
History and Philosophy of the Life Sciences
Journal of the History of the Behavioral Sciences
Publishers
Cambridge University Press
Harvard University
New York University
Boydell Press
Duke University Press
Edinburgh University Press
Concepts
Aesthetics
Senses and sensation; perception
Literature
Music
Science and art
Science and culture
People
Bergson, Henri Louis
Kant, Immanuel
Lee, Vernon (Violet Paget)
Kovalevskaia, Sof'ia Vasil'evna
Lamarck, Jean Baptiste Antoine Pierre de Monet de
Time Periods
19th century
20th century
21st century
Medieval
Renaissance
Early modern
Places
Germany
Europe
England
Great Britain
France
Italy
Institutions
Jesuits (Society of Jesus)
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