Chapter ID: CBB070291814

Introduction: The Future is Now: Reflections on Art, Science, Futurity (2020)

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The Renaissance was a period defined, one could argue, by visions of the future. Petrarch’s Letter to Posterity (ca. 1372) and Dante’s Divine Comedy (ca. 1308–20) represent early manifestations of this concern with the future, fame, and posterity, followed by Renaissance historian and humanist Leonardo Bruni’s histories and biographies of the 1440s and Giorgio Vasari’s celebrated Lives of the Most Excellent Painters, Sculptors, and Architects of 1550. At the same time, European explorers, merchants, soldiers, and missionaries traversed the globe in search of new lands to conquer, new natural resources to acquire, and new souls to convert to Christianity.

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Book Charlene Villaseñor Black; Mari-Tere Álvarez (2019-11-01) Renaissance Futurities: Science, Art, Invention. unapi

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Authors & Contributors
Catalano, Agostino
Long, Pamela O.
Gatta, Massimo
Pazzagli, Rossano
Schettino, Vincenzo
Buccaro, Alfredo
Journals
Micrologus: Nature, Sciences and Medieval Societies
Renaissance Quarterly
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
British Society for the History of Mathematics Bulletin
Publishers
Aracne
Presses universitaires François-Rabelais de Tours
Yale University Press
University of California Press
Society for the History of Technology and the American Historical Association
SISMEL edizioni del Galluzzo
Concepts
Science and art
Architecture
Engineering
Technology and art
Science and society
Medicine
People
Leonardo da Vinci
Zheng, He
Newton, Isaac
Luther, Martin
Linnaeus, Carolus
Galilei, Galileo
Time Periods
16th century
15th century
Renaissance
14th century
Medieval
17th century
Places
Europe
Italy
Ottoman Empire
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