The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see—color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West—somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume in the MIT Press Essential Knowledge series offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see—and what is at stake in doing so. Visual culture has always been inscribed by the dominant and by domination. This book suggests how we might weaponize the visual for positive, unifying change. Drawing on both historical and contemporary examples—from Judy Chicago's The Dinner Party and Beyoncé and Jay-Z at the Louvre to the first images of a black hole—Alexis Boylan considers how we engage with and are manipulated by what we see. She begins with what: what is visual culture, and what questions, ideas, and quandaries animate our approach to the visual? She continues with where: where are we allowed to see it, and where do we stand when we look? Then, who: whose bodies have been present or absent from visual culture, and who is allowed to see it? And, finally, when: is the visual detached from time? When do we see what we need to see?
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A. Joan Saab;
(2020)
Objects of Vision: Making Sense of What We See
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Max Ryynänen;
(2022)
Bodily Engagements with Film, Images, and Technology: Somavision
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Juan Pimentel Igea;
(2020)
Fantasmas de la ciencia española
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Jack Challoner;
(2022)
Seeing Science: The Art of Making the Invisible Visible
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Agnes Arnold-Forster;
(2023)
Cold, hard steel: The myth of the modern surgeon
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Michael Rossi;
(2019)
The Republic of Color: Science, Perception, and the Making of Modern America
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Article
Sigrid Leyssen;
(2021)
Remaking “Michotte”: Reusing and Remaking Moving Images in the History of Perception Research
(/isis/citation/CBB651176380/)
Chapter
Dupré, Sven;
(2013)
The Return of the Species: Jesuit Responses to Kepler's New Theory of Images
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Peter John Brownlee;
(2018)
The Commerce of Vision: Optical Culture and Perception in Antebellum America
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Mannoni, Laurent;
Nekes, Werner;
Warner, Marina;
(2004)
Eyes, Lies and Illusions: The Art of Deception
(/isis/citation/CBB000501538/)
Thesis
Talia Bess Shabtay;
(2021)
See, Think, Learn: Creativity and Limits in Early Cold War Art and Technology
(/isis/citation/CBB601718949/)
Chapter
Neal, Valerie;
(2013)
Bringing Spaceflight Down to Earth: Astronauts and The IMAX Experience®
(/isis/citation/CBB001201399/)
Book
Hentschel, Klaus;
(2014)
Visual Cultures in Science and Technology: A Comparative History
(/isis/citation/CBB001551095/)
Article
Hentschel, Klaus;
(2002)
Zur Geschichte visueller Darstellungen von Spektren
(/isis/citation/CBB000340213/)
Article
James C. Boyles;
(2008)
"Under a Spreading Chestnut-Tree": The Blacksmith and His Forge in Nineteenth-Century American Art
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Elisa deCourcy;
Martyn Jolly;
(2020)
Empire, Early Photography and Spectacle: The Global Career of Showman Daguerreotypist J.W. Newland
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Jillian Porter;
Maya Vinokour;
(2023)
Energy Culture: Work, Power, and Waste in Russia and the Soviet Union
(/isis/citation/CBB808205129/)
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Charles Avery;
Samuel Shaw;
Helen Cowie;
Robert Wenley;
(2022)
Miss Clara and the Celebrity Beast in Art 1500–1860
(/isis/citation/CBB268778466/)
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Ana Grgić;
(2021)
Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans
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Roger J. Lederer;
(2019)
The Art of the Bird: The History of Ornithological Art through Forty Artists
(/isis/citation/CBB310616136/)
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