Thesis ID: CBB001567225

Imaginative Beholding: Physiological Psychology and the Discourse on Representation in fin-de-siècle Germany (2010)

unapi

Newman, Winifred Elysse (Author)


Harvard University
Picon, Antoine


Publication Date: 2010
Edition Details: Advisor: Picon, Antoine.
Physical Details: 314 pp.
Language: English

From classical antiquity to the late nineteenth century a representation in art was judged successful based on it's broadly mimetic fidelity to Nature. The changing sense of reality at the turn of the century brought to the fore a new paradigm of representation seemingly as a clean rupture with the past in that a celebration of abstraction, illusion and distortion of the natural became the norm. The subject of this dissertation is to demonstrate that the modernist understanding of representation was not solely a rupture with the past but emerged from a productive exchange of concepts between the arts and sciences in the late nineteenth century from the discipline of psychology. I will contend that without the new models of mind emerging in German physiological psychology in the thirty year period 1860s-1890s the concept of representation in aesthetics would not have escaped the boundaries of classical mimesis and fostered the necessary conditions for the production and reception of modernity in aesthetics and by extension, art. The exchange between aesthetics and science of new knowledge produced by instruments and empirical methodologies of calibrating psychological responses to visual and sensual stimuli leads to an ontological shift in the concept of representation. This physiological aesthetics not only provided the terms for new formalist languages of art and criticism it also instigated a reconsideration of the limitation of the classical definition of representation in art. The emergence of early modernism depends on the new psychologism not only to explain the effects of a work of art and the new role of the observer, but also suggests that a new mechanics of thought is necessary to rationalize the reality of modernism through representation.

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Description Cited in Dissertation Abstracts International-A 72/01, Jul 2011. Proquest Document ID: 816094326.


Citation URI
https://data.isiscb.org/isis/citation/CBB001567225/

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Authors & Contributors
Wade, Nicholas J.
Brain, Robert Michael
Brakel, J. van
Canales, Jimena
Chesnov, V. M.
Fedorovich, I. B.
Journals
Journal of the History of the Behavioral Sciences
Galilæana: Journal of Galilean Studies
Biology and Philosophy
Configurations: A Journal of Literature, Science, and Technology
German History
Perspectives on Science
Publishers
University of Chicago
Harvard University
Princeton University
Duke University Press
Prometheus
Rodopi
Concepts
Senses and sensation; perception
Physiological psychology
Aesthetics
Science and art
Visual perception
Physiology
People
Galilei, Galileo
Einstein, Albert
Freud, Sigmund
Haeckel, Ernst
Helmholtz, Hermann Ludwig Ferdinand von
Hofmannsthal, Hugo von
Time Periods
19th century
18th century
20th century
20th century, early
17th century
Modern
Places
Germany
Europe
United States
Vienna (Austria)
Great Britain
France
Institutions
Rossiiskaia Akademiia Nauk
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