Thesis ID: CBB001561762

Nietzsche and Transmodernism: Art and Science beyond the Modern in Joyce, Stevens, Pynchon, and Kubrick (2004)

unapi

Marvin, John (Author)


State University of New York at Buffalo
Conte, Joseph


Publication Date: 2004
Edition Details: Advisor: Conte, Joseph
Physical Details: 201 pp.
Language: English

Nietzsche philologist was educated to be a close reader of literature, language, and culture, and even the cosmos. At each level of criticism his questions led him to the next; literary, linguistic, social, and ultimately, cosmic. His aerie was built upon the summit of late 19{super}th{/super} century Western Culture, and from its height he believed he saw the beginning of a paradigm upon which to build another, perhaps better, at least civilized world view on the foundation of what he had learned from the glory of the Presocratic Greeks, the brilliance of the Renaissance, and the power of the means of discovery afforded by science, all under the guidance of art. I argue that Nietzsche's critical theory can be refined by updating to include 20{super}th{/super} century scientific developments; that some modernist artists seem to have been doing something like that updating in their work; that his ideas are reflected, whether by coincidence or design, in their work; and that science as reported in texts written by scientists for laymen, seems to be embarked upon a similar quest. The belief that art and science can, actually must, combine in order for humanity to survive the crises of the fall of the West and modernity is the foundation of what I call transmodernism. The three initial chapters concentrate on Nietzsche the critic: literary, cultural, and cosmic; Nietzsche's criticism and 20{super}th{/super} century science as parts of the rhetoric human survival; and the meaning of transmodernism relative to Nietzschean ideas. The final four chapters read four texts to show the development of Nietzschean ideas along with art and science through the 20{super}th{/super} century through modernism and postmodernism toward transmodernism. The texts read are {italic}Finnegans Wake{/italic} emphasizing James Joyce's "litter " leitmotif, Wallace Steven's {italic}Notes toward a Supreme Fiction, Gravity's Rainbow{/italic} and Thomas Pynchon's version of a many worlds interpretation of reality, and Stanley Kubrick's vision of human evolution as husbandry in {italic}2001: A Space Odyssey{/italic}.

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Description Cited in Diss. Abstr. Int. A 65 (2005): 3801. UMI pub. no. 3150878.


Citation URI
https://data.isiscb.org/isis/citation/CBB001561762/

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Authors & Contributors
Cordle, Daniel
Di Giacomo, Giuseppe
Irene Treccani
Jennifer Ratner-Rosenhagen
Benjamin Morgan
Seymour, Nicole
Journals
Mefisto: Rivista di medicina, filosofia, storia
Medicina nei Secoli - Arte e Scienza
Journal for Eighteenth-Century Studies
Historical Studies in the Natural Sciences
British Journal for the History of Science
Berichte zur Wissenschaftsgeschichte
Publishers
University of Chicago Press
Museo delle Scienze, Trento
Ledizioni
University of Virginia Press
University of Minnesota Press
Oxford University Press
Concepts
Science and literature
Science and art
Postmodernism
Science and culture
Philosophy
Science fiction
People
Nietzsche, Friedrich Wilhelm
Harraway, Donna
Starobinski, Jean
Shelley, Mary Wollstonecraft
Marx, Karl
Latour, Bruno
Time Periods
19th century
20th century, late
21st century
20th century
18th century
Modern
Places
England
United States
Scotland
Netherlands
Italy
Europe
Comments

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