Drown, Eric Miles (Author)
From 1908 to 1937 Hugo Gernsback's magazines such as {italic}Radio News, Electrical Experimenter, Science and Invention, Amazing Stories{/italic}, and {italic}Science Wonder Stories{/italic} assured readers that their passionate interest in science and invention was more than just a diverting hobby. Knowledge and skill acquired through reading would secure them an honored place in the technological future that was emerging from the laboratories of Thomas Edison, Nikola Tesla, and Guglielmo Marconi. In wiring diagrams, science articles, biographies of exemplary inventors, science fiction stories, editorial exhortations, advertisements for technical training, and readers' letters, Gernsback magazines promoted the virtues of the amateur experimenter to men working as mill-workers, machine tenders, clerks, or salesmen. Unlike such men, the amateur experimenter was free to choose his own projects, to work the way he saw fit, and to reap fame and fortune from his labors. Ironically, amateur experimenters entered the national mythology just as it became clear that invention would increasingly be carried out by professionals working in industrial laboratories. Even as Gernsback offered readers a model of masculinity that poorly-fit them to the new kinds of work, the popular science (fiction) culture he promoted offered men a cultural enclave where they set the rules of behavior, engaged in ritual conflict with one another, and policed its borders against female incursion. More than a history of pulp science fiction and popular magazines, "Usable Futures" explains how young men faced with the reorganization of work during the first three decades of the twentieth century built their identities on autonomy, individualism, and adventure. Following the work of theorists Michel De Certeau, Tony Bennett, and Michael Denning, Gernsback's magazines are treated as a form of social practice capable of organizing relations between social formations and human subjects. Treating the cultural products of a group too often dismissed as crackpots and social misfits in this way opens a new archive for cultural historians. Furthermore, it identifies and decodes a vital cultural resource for American workingmen who aspired to future free from the fetters of corporate industrialism. Finally, it expands current discussions on the shape and meaning of twentieth-century American modernism.
...MoreDescription “Gernsback's magazines promoted the virtues of the amateur experimenter …[and] are treated as a form of social practice capable of organizing relations between social formations and human subjects.” Cited in Diss. Abstr. Int. A 62 (2002): 3831. UMI order no. 3031972.
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