Brain, Robert Michael (Author)
Robert Brain traces the origins of artistic modernism to specific technologies of perception developed in late-nineteenth-century laboratories. Brain argues that the thriving fin-de-siècle field of "physiological aesthetics," which sought physiological explanations for the capacity to appreciate beauty and art, changed the way poets, artists, and musicians worked and brought a dramatic transformation to the idea of art itself
...MoreReview Susan Lanzoni (2017) Review of "The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe". Journal of the History of the Behavioral Sciences (pp. 100-102).
Review James F. Stark (2016) Review of "The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe". British Journal for the History of Science (pp. 309-311).
Review Hui, Alexandra (July 2016) Review of "The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe". Technology and Culture (pp. 677-678).
Review Boris Jardine (2016) Review of "The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 867-868).
Thesis
Newman, Winifred Elysse;
(2010)
Imaginative Beholding: Physiological Psychology and the Discourse on Representation in fin-de-siècle Germany
(/isis/citation/CBB001567225/)
Article
Robert Fleck;
(2021)
The Scientific Revolution in Art
(/isis/citation/CBB632582915/)
Article
Brain, Robert Michael;
(2008)
The Pulse of Modernism: Experimental Physiology and Aesthetic Avant-Gardes circa 1900
(/isis/citation/CBB000931148/)
Book
Francesco Bottaccioli;
(2015)
Due vie per la medicina scientifica al suo sorgere
(/isis/citation/CBB838543137/)
Article
Schmidt, Michael J.;
(2014)
Visual Music: Jazz, Synaesthesia and the History of the Senses in the Weimar Republic
(/isis/citation/CBB001201425/)
Article
Brain, Robert Michael;
(2010)
How Edvard Munch and August Strindberg Contracted Protoplasmania: Memory, Synesthesia, and the Vibratory Organism in Fin-de-Siècle Europe
(/isis/citation/CBB001031062/)
Article
Lanzoni, Susan;
(2009)
Practicing Psychology in the Art Gallery: Vernon Lee's Aesthetics of Empathy
(/isis/citation/CBB000932855/)
Article
Challis, Debbie;
(2012)
Fashioning Archaeology into Art: Greek Sculpture, Dress Reform and Health in the 1880s
(/isis/citation/CBB001213317/)
Book
Henning Schmidgen;
(2013)
Hirn und Zeit: Die Geschichte eines Experiments 1800-1950
(/isis/citation/CBB800419900/)
Book
Erica Fretwell;
(2020)
Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling
(/isis/citation/CBB457783202/)
Book
Roger Smith;
(2019)
The Sense of Movement: An Intellectual History
(/isis/citation/CBB920831383/)
Book
Micale, Mark S.;
(2004)
The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940
(/isis/citation/CBB000550207/)
Thesis
Matthew H. Vollgraff;
(2019)
The Science of Expression: Ausdruckskunde and Bodily Knowledge in German Modernist Culture
(/isis/citation/CBB832353783/)
Article
Schmidgen, Henning;
(2013)
Camera Silenta: Time Experiments, Media Networks, and the Experience of Organlessness
(/isis/citation/CBB001320388/)
Thesis
Andrea Wald;
(2015)
Ornament. Eine österreichische Befindlichkeit
(/isis/citation/CBB012450814/)
Chapter
Wolff, Francis;
(2007)
The Three Pleasures of Mimēsis According to Aristotle's Poetics
(/isis/citation/CBB000774492/)
Thesis
Kramer, Martin Oskar;
(2002)
Immaculate Skin, Admirable Machine: Body and Representation in French Aesthetics, Science, and Art, 1850--1900
(/isis/citation/CBB001562198/)
Article
Maddalena Napolitani;
(2018)
'Born with the Taste for Science and the Arts': The Science and the Aesthetics of Balthazar-Georges Sage's Mineralogy Collections, 1783–18251
(/isis/citation/CBB175466446/)
Article
Marta Marchetti;
(2019)
The Journey of the Mute Frankenstein of Thomas Potter Cooke: Towards a Language for a New Science
(/isis/citation/CBB407344952/)
Article
Pesic, Peter;
(2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space”
(/isis/citation/CBB001320409/)
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