Brain, Robert Michael (Author)
Robert Brain traces the origins of artistic modernism to specific technologies of perception developed in late-nineteenth-century laboratories. Brain argues that the thriving fin-de-siècle field of "physiological aesthetics," which sought physiological explanations for the capacity to appreciate beauty and art, changed the way poets, artists, and musicians worked and brought a dramatic transformation to the idea of art itself
...MoreReview Susan Lanzoni (2017) Review of "The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe". Journal of the History of the Behavioral Sciences (pp. 100-102).
Review James F. Stark (2016) Review of "The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe". British Journal for the History of Science (pp. 309-311).
Review Hui, Alexandra (July 2016) Review of "The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe". Technology and Culture (pp. 677-678).
Review Boris Jardine (2016) Review of "The Pulse of Modernism: Physiological Aesthetics in Fin-De-Siècle Europe". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 867-868).
Article
Brain, Robert Michael;
(2008)
The Pulse of Modernism: Experimental Physiology and Aesthetic Avant-Gardes circa 1900
Article
Robert Fleck;
(2021)
The Scientific Revolution in Art
Thesis
Newman, Winifred Elysse;
(2010)
Imaginative Beholding: Physiological Psychology and the Discourse on Representation in fin-de-siècle Germany
Article
Schmidt, Michael J.;
(2014)
Visual Music: Jazz, Synaesthesia and the History of the Senses in the Weimar Republic
Article
Brain, Robert Michael;
(2010)
How Edvard Munch and August Strindberg Contracted Protoplasmania: Memory, Synesthesia, and the Vibratory Organism in Fin-de-Siècle Europe
Book
Francesco Bottaccioli;
(2015)
Due vie per la medicina scientifica al suo sorgere
Chapter
Wolff, Francis;
(2007)
The Three Pleasures of Mimēsis According to Aristotle's Poetics
Article
Lanzoni, Susan;
(2009)
Practicing Psychology in the Art Gallery: Vernon Lee's Aesthetics of Empathy
Book
Henning Schmidgen;
(2013)
Hirn und Zeit: Die Geschichte eines Experiments 1800-1950
Article
Challis, Debbie;
(2012)
Fashioning Archaeology into Art: Greek Sculpture, Dress Reform and Health in the 1880s
Book
Roger Smith;
(2019)
The Sense of Movement: An Intellectual History
Article
Matthias Dörries;
(2021)
The Art of Listening: Hugo Benioff, Seismology, and Music
Thesis
Portnow, Allison Kerbe;
(2011)
Einstein, Modernism, and Musical Life in America, 1921--1945
Book
Erica Fretwell;
(2020)
Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling
Thesis
Sally Fama Cochrane;
(2023)
Science at the Nineteenth-Century École Des Beaux-Arts
Book
Micale, Mark S.;
(2004)
The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940
Article
Schäfer, Armin;
(2013)
The Audiovisual Field in Bruce Nauman's Videos
Article
Schmidgen, Henning;
(2013)
Camera Silenta: Time Experiments, Media Networks, and the Experience of Organlessness
Thesis
Matthew H. Vollgraff;
(2019)
The Science of Expression: Ausdruckskunde and Bodily Knowledge in German Modernist Culture
Thesis
Andrea Wald;
(2015)
Ornament. Eine österreichische Befindlichkeit
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