Hiebert, Erwin N. (Author)
This book explores the interactions between science and music in the late nineteenth- and early twentieth century. It examines and evaluates the work of Hermann von Helmholtz, Max Planck, Shohé Tanaka, and Adriaan Fokker, leading physicists and physiologists who were committed to understanding crucial aesthetic components of the art of music, including the standardization of pitch and the implementation of various types of intonations. With a mixture of physics, physiology, and aesthetics, author Erwin Hiebert addresses throughout the book how just intonation came to intersect with the history of keyboard instruments and exert an influence on the development of Western music. He begins with the work of Hermann von Helmholtz, a leading nineteenth-century physicist and physiologist who not only made important contributions in vision, optics, electrodynamics and thermodynamics, but also helped advanced the field of music theory as well. The author traces the Helmholtzian trends of thought that become inherently more complex by reaching beyond the sciences to perform a bridge with aesthetics and the diverse ways in which the human mind interprets or is taught, in different cultures, to interpret and understand music. Next, the author explores the works of other key physicists and physiologists who were influenced by Helmholtz and added to his legacy. He examines Japanese music theory student Shohé Tanaka, who sought to design a harmonium that was not based on equal temperament but rather on just intonation. Dutch physicist Adriaan Daniel Fokker, who arranged for organs to be built based on 31-tones per octave, orchestrated concerts for these new instruments and even attempted to compose microtonal music, or music whose tonality is based on intervals smaller than the typical twelve semitones of Western music.
...MoreReview Julia Kursell (2016) Review of "The Helmholtz Legacy in Physiological Acoustics". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 624-625).
Article
Pesic, Peter;
(2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space”
(/isis/citation/CBB001320409/)
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Pantalony, David;
(2005)
Rudolph Koenig's Workshop of Sound: Instruments, Theories, and the Debate over Combination Tones
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Thesis
Pantalony, David Alexander;
(2002)
Rudolph Koenig (1832--1901), Hermann von Helmholtz (1821--1894) and the birth of modern acoustics
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Rieger, Matthias;
(2006)
Helmholtz Musicus: Die Objektivierung der Musik im 19. Jahrhundert durchHelmholtz' Lehre von den Tonempfindungen
(/isis/citation/CBB000830701/)
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Kursell, Julia;
(2013)
Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie
(/isis/citation/CBB001320389/)
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Badino, Massimiliano;
(2010)
Il professore e il suo demone: La lunga lotta di Max Planck contro la statistica (1896--1906)
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Hui, Alexandra;
(2013)
Changeable Ears: Ernst Mach's and Max Planck's Studies of Accommodation in Hearing
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Chapter
Hoffmann, Dieter;
(2010)
Max Planck in seinem Wirken für die Physikalische Gesellschaft und die Annalen der Physik
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Rossi, Arcangelo;
(2008)
Max Planck: la continuità fisica e il quanto d'azione
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Brush, Stephen G.;
(2002)
Cautious Revolutionaries: Maxwell, Planck, Hubble
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Deltete, Robert J.;
(2012)
Planck, Ostwald, and the Second Law of Thermodynamics
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Massimiliano Badino;
(2015)
The Bumpy Road: Max Planck from Radiation Theory to the Quantum (1896-1906)
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Planck, Max;
Hoffmann, Dieter;
(2008)
Max Planck: Annalen Papers
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Koenigsberger, Leo;
(2001)
Hermann von Helmholtz
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Ku, Ja Hyon;
(2006)
British Acoustics and Its Transformation from the 1860s to the 1910s
(/isis/citation/CBB000740027/)
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Jong, Kai de;
Lunteren, Frans van;
(2003)
Fokkers “greep in de verte” Nederlandse fysica en filosofie in het Interbellum
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D'Agostino, Salvo;
(2004)
The Bild Conception of Physical Theory: Helmholtz, Hertz, and Schrödinger
(/isis/citation/CBB000641781/)
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Darrigol, Olivier;
(2007)
The Acoustic Origins of Harmonic Analysis
(/isis/citation/CBB000772559/)
Book
Christa Jungnickel;
Russell McCormmach;
(2018)
The Second Physicist: On the History of Theoretical Physics in Germany
(/isis/citation/CBB957245561/)
Article
Mulligan, Joseph F.;
(1994)
Max Planck and the “black year” of German physics
(/isis/citation/CBB000029869/)
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