Article ID: CBB001550648

O rinoceronte de Dürer e suas lićóes para a historiografia da ciência (2014)

unapi

Albrecht Dürer's woodblock of a rhinoceros, produced in 1515, was a landmark both in art and in zoology. That representation, containing several mistakes, became the standard image of the rhinoceros for two centuries, strongly influencing naturalists and the whole culture of the period. Europeans only became aware of the real appearance of a rhinoceros during the 18th century. This paper analyses the history of the rhinoceros represented by Dürer, comparing it with other works of the same time, and the likely sources of his blunders. The article employs this case study to point out historiographical errors on this subject and to contemplate several methodological issues of the history of science.

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Citation URI
https://data.isiscb.org/isis/citation/CBB001550648/

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Authors & Contributors
Nelson, E. Charles
Allmon, Warren D.
Carneiro, Ana
Chemla, Karine Carole
Dackerman, Susan
Daston, Lorraine J.
Journals
Isis: International Review Devoted to the History of Science and Its Cultural Influences
Archives of Natural History
Nuncius: Annali di Storia della Scienza
Physis: Rivista Internazionale di Storia della Scienza
British Journal for the History of Science
Cartographica Helvetica
Publishers
Brill
Yale University Press
Concepts
Printing
Engravers and engravings
History of science, as a discipline
Historiography
Visual representation; visual communication
Natural history
People
Blendeff, Lambert
Cohen, H. Floris
Culpeper, Nicholas
Dürer, Albrecht
Golzius, Hendrick
Hayé, Michael
Time Periods
18th century
17th century
20th century
21st century
Renaissance
Early modern
Places
China
Virginia (U.S.)
Belgium
Greece
Portugal
Switzerland
Institutions
Royal Society of London
Louvain. Université
Royal Society (Great Britain). European Science Exchange Programme
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