Klein, Ursula (Author)
Eighteenth-century chemists defined chemistry as both a “science and an art.” By “chemical art” they meant not merely experimentation but also parts of certain arts and crafts. This raises the question of how to identify the “chemical parts” of the arts and crafts in eighteenth-century Europe. In this essay I tackle this question with respect to porcelain manufacture. My essay begins with a brief discussion of historiographical problems related to this question. It then analyzes practices involved in porcelain manufacture that can be reasonably identified as chemical practices or a chemical art. My analysis yields evidence for the argument that chemical experts and expertise fulfilled distinct technical functions in porcelain manufacture and, by extension, in eighteenth-century “big industry,” along with its system of division of labor.
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Article
Klein, Ursula;
(2013)
Chemical Experts at the Royal Prussian Porcelain Manufactory
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Klein, Ursula;
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Depersonalizing the Arcanum
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Klein, Ursula;
Lehman, Christine;
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Pierre-Joseph Macquer, an Eighteenth-Century Artisanal-Scientific Expert
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Böttger's Eureka! New Insights into the European Reinvention of Porcelain
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Technoscience in History: Prussia, 1750–1850
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Eva Åhrén;
(2017)
Figuring Things Out: Visualizations in the Work of Swedish Anatomists Anders and Gustaf Retzius, 1829–1921
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La chimie dans les dictionnaires et encyclopédies au XVIIIe siècle: une “incuriosité peu philosophique”
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Going Amiss in Experimental Research
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The Woman Who Challenged an Academy of Sciences: Émilie du Châtelet and the Meaning of the Publication of Dissertation sur la nature et la propagation du feu (1744)
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Displaying Materials: Porcelain and Natural History in the Duchess of Portland's Museum
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On Kaolin and Its Substitutes; or, The Management of Whiteness
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'Born with the Taste for Science and the Arts': The Science and the Aesthetics of Balthazar-Georges Sage's Mineralogy Collections, 1783–18251
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Silver and Sunlight: The Science of Early Photography
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Painting with Fire: Sir Joshua Reynolds, Photography, and the Temporally Evolving Chemical Object
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Ciencia, Arte e Ilusión en la España Ilustrada
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Science and the Visual Image in the Enlightenment
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