Cardoso de Matos, Ana (Editor)
Gouzévitch, Irina (Editor)
C. , Lourenço Mart (Editor)
Lourenço, Marta C. (Editor)
World Exhibitions, Technical Museums and Industrial Society, edited by Ana Cardoso de Matos, Irina Gouzévitch and Marta C. Lourenço, offers a picture of the relationship between world fairs, technical museums and international congresses centered on their interaction and interdependency, a widely discussed topic in the historiography of science and technology. Grown out of a workshop that took place in 2008, the book's relevance and interest relies on the variety of case studies, including episodes from peripheral countries, like Portugal and Spain, seldom dealt in the international literature. Through a dialogue with other contributions to this topic, the chapters emphasize the importance of Universal Exhibitions as places of visits, encounters, exchanges and communication, where information about science and technology circulated and cooperation was developed. Word Exhibitions, Technical Museums and Industrial Society is organized in three parts: i) Technical Museums and Universal Exhibitions: Bands, Interactions and Temporalities; ii) Universal Exhibitions: Actors and Spaces; and iii) Universal Exhibitions: Sites of Memory, Sites of Leisure. Within this framework, the authors of the eight chapters, written in English and in French, focus on particular events. As to the first part, in line with current historiographical debates in which the history of collections are gaining importance within the history of science, authors explore the role universal exhibitions played in the development of museums of different sorts---from education to art---and the way in which they contributed to enhance national pride. In fact, the national character of museums in Europe was defined through mutual observation, comparison and appropriations in an international perspective. Although the creation of technical museums was a general phenomenon in this period, it followed different paths, and was led by diverse forces, and offered a variety of organizational structures in European countries. In this process the interest of particular personalities was crucial, as well as their journeys to foreign countries. In the chapters written by Ana Cardoso de Matos, Helena Souto, Irina Gouzévitch and Dmitri Gouzévitch, the creation of the Industrial Museum and the Museum of Ornamental Arts in Lisbon, for instance, and the establishment of the Royal Cabinet of Machines in Madrid are presented as examples highlighting these dynamics of modernization and construction of industrial societies. The latter also emphasizes the continuity with previous centuries. As to the second part, Universal Exhibitions: Actors and Spaces, two major topics are dealt with. The first chapter by Miriam R. Levin discusses what the author calls the 'museification' of Paris, i.e., the development and modernization of the city that directly derived from the needs driven by the world exhibitions. The other chapters by Antoni Roca-Rosell, Guillermo Lusa-Monforte, Jesús Sánchez-Miñana and Claudine Fontanon are devoted to the fruitful relationships established between experts during the exhibitions. On the one hand, scientists and engineers played a crucial role in planning and organizing Exhibitions at the same time that Exhibitions provided the opportunity to demonstrate their professional consolidation. On the other, meetings organized in parallel with exhibitions were important in the exchange and circulation of knowledge and also in the emergence of scientific disciplines. Finally, the third part of the book addresses the educational role of Exhibitions, as well as their importance in the development of new technology. Taina Syrjämaa and Christiane Demeulenaere-Douyère explore the emergence of industrial societies and its publics, both expert and amateur. 'Edutainment', education coupled with entertainment, was the best way to shape visitors' perception of progress and public good. At the same time, photography appeared as an important means to advertise Exhibitions, as well as national industrial power; for this reason they gained a new scope and depth in this period. Word Exhibitions, Technical Museums and Industrial Society is an interesting contribution to the historiography of science and technology. Although the topic has been object of various investigations, all the case studies help the reader to make a better assessment of the nature of the complex and intricate symbiosis between museums, exhibitions and meetings, during the nineteenth and early twentieth century, in Europe. Although chapters are short in details, the book contains valuable new material for further exploration. It is excellent in stimulating further research.
...MoreDescription The essays “emphasize the importance of Universal Exhibitions as places of visits, encounters, exchanges and communication, where information about science and technology circulated and cooperation was developed.” (from the publisher) Contents:
Review Gomes, Inês (2014) Review of "Expositions universelles, musées techniques et société industrielle". HOST: Journal of History of Science and Technology.
Chapter Gouzévitch, Irina; Gouzévitch, Dmitri (2010) The Cabinet of the Machines of Madrid, 1792--1808: In Search of a Lost Technical Museum. In: Expositions universelles, musées techniques et société industrielle.
Chapter Cardoso de Matos, Ana (2010) Les musées techniques portugais et les expositions universelles au XIXe siècle. In: Expositions universelles, musées techniques et société industrielle.
Chapter Souto, Maria Helena (2010) La section de l'“Histoire du travail” á l'exposition universelle de 1867: les arts décoratifs et la muséologie au Portugal. In: Expositions universelles, musées techniques et société industrielle.
Chapter Levin, Miriam R. (2010) Modernisation de Paris à travers les Expositions et les Musèes, 1878--1914. In: Expositions universelles, musées techniques et société industrielle.
Chapter Roca Rosell, Antoni; Lusa Monforte, Guillermo; Sánchez Miñana, Jesús (2010) Savants et igénieurs á l'Exposition universelle de Barcelone, 1888. In: Expositions universelles, musées techniques et société industrielle.
Chapter Fontanon, Claudine (2010) Expositions universelles, congrés internationaux d'aéronautique et science aérodynamique, 1900--1914. In: Expositions universelles, musées techniques et société industrielle.
Chapter Syrjämaa, Taina (2010) Experiencing Progress: Technology as Entertainment in World Exhibitions at the Turn of the Twentieth Century. In: Expositions universelles, musées techniques et société industrielle.
Chapter Demeulenaere-Douyère, Christiane (2010) Les expositions universelles sous l'objectif: La photographie dans les fonds des expositions aux Archives nationales. In: Expositions universelles, musées techniques et société industrielle.
Chapter
Gooday, Graeme;
(2011)
Electricity and the Sociable Circulation of Fear and Fearlessness
(/isis/citation/CBB001231561/)
Article
Rahman, Sabrina;
(2013)
From Domestic Designs to Global Living: Imperial Innovations at the Austrian Museum of Art and Industry, 1864--1914
(/isis/citation/CBB001421587/)
Article
Rebekah Higgitt;
(2017)
Challenging Tropes: Genius, Heroic Invention, and the Longitude Problem in the Museum
(/isis/citation/CBB329973980/)
Book
Amy Lonetree;
(2012)
Decolonizing Museums: Representing Native America in National and Tribal Museums
(/isis/citation/CBB992564049/)
Article
William S. Walker;
(2011)
“We Don't Live Like That Anymore”: Native Peoples at the Smithsonian's Festival of American Folklife, 1970––1976
(/isis/citation/CBB911454252/)
Article
Katie McCallum;
(2018)
Mathematics, Manifest: A Review of Mathematics: The Winton Gallery at the Science Museum
(/isis/citation/CBB013467417/)
Article
Adrienne Monteith Petty;
(2022)
The Honey Pond and the Flapjack Tree: The USDA at Two World Fairs, 1933–1940
(/isis/citation/CBB514586378/)
Article
Bensaude-Vincent, Bernadette;
(2013)
Popular Science and Politics in Interwar France
(/isis/citation/CBB001320569/)
Book
Moore, Sarah J.;
(2013)
Empire on Display: San Francisco's Panama-Pacific International Exposition of 1915
(/isis/citation/CBB001550146/)
Book
Shaoling Ma;
(2021)
The Stone and the Wireless: Mediating China, 1861–1906
(/isis/citation/CBB089452995/)
Article
Ott, Daniel;
(2014)
Producing a Past: McCormick Harvester and Producer Populists in the 1890s
(/isis/citation/CBB001320831/)
Book
Patrick Ellis;
(2021)
Aeroscopics: Media of the Bird's-Eye View
(/isis/citation/CBB381115541/)
Book
Cantor, Geoffrey;
(2011)
Religion and the Great Exhibition of 1851
(/isis/citation/CBB001252911/)
Article
Lundgren, Frans;
(2013)
The Politics of Participation: Francis Galton's Anthropometric Laboratory and the Making of Civic Selves
(/isis/citation/CBB001213507/)
Article
Steadman, Mark;
(2010)
Objects and Observers: Telecommunications, the Nineteenth-Century International Exhibition and the Public
(/isis/citation/CBB001231628/)
Book
Peter H. Hoffenberg;
(2019)
A Science of Our Own: Exhibitions and the Rise of Australian Public Space
(/isis/citation/CBB535255074/)
Book
Joe Kember;
John Plunkett;
Jill A. Sullivan;
(2012)
Popular Exhibitions, Science and Showmanship, 1840-1910
(/isis/citation/CBB103152013/)
Book
Qureshi, Sadiah;
(2011)
Peoples on Parade: Exhibitions, Empire, and Anthropology in Nineteenth-Century Britain
(/isis/citation/CBB001221218/)
Article
Dulce da Rocha Gonçalves;
(2020)
Science between the fairground and the academy: The case of Dutch science popularizer L. K. Maju (1823–1886)
(/isis/citation/CBB074545488/)
Book
Elena Canadelli;
Marco Beretta;
Laura Ronzon;
(2019)
Behind the Exhibit: Displaying Science and Technology at World's Fairs and Museums in the Twentieth Century
(/isis/citation/CBB534895435/)
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