Article ID: CBB001450720

The Case of the Disappearing Blue Women: Understanding How Meaning Is Made in Desi Sangye Gyatso's Blue Beryl Paintings (2011)

unapi

This article dives into the idiosyncrasies of the life of the body in the world and the physician's encounter with it. It asks the reader to patiently probe the images found within a set of seventeenth-century medical paintings, to seek the clues they provide to better understand the variable conditions of different bodies and, finally, to reflect upon how the details of the paintings themselves train the viewer to see the body in a very specific way. The paintings employ particular modes of expression, referred to here as 'modes of representation', to generate meaning. In reflecting upon the relationship between image and meaning in these paintings, it will become clear that it is the manner in which the idiosyncrasies of the body are depicted, the ways in which they are framed and patterned and the ways in which the viewer learns to make sense of them, that are ultimately meaningful.

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https://data.isiscb.org/isis/citation/CBB001450720/

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Authors & Contributors
Hofer, Theresia
Gyatso, Janet
Gray Tuttle
Jouffroy, Christian
Young, Serinity
Yoeli-Tlalim, Ronit
Journals
Asian Medicine: Tradition and Modernity
Medicina nei Secoli - Arte e Scienza
Medical History
History of Religions
Gesnerus
Chinese Journal for the History of Science and Technology
Publishers
State University of New York at Buffalo
Bryn Mawr College
Ashgate
American Museum of Natural History
Columbia University
Harvard University
Concepts
Medicine
East Asia, civilization and culture
Medicine and gender
Medicine and art
Buddhism
Medicine, traditional
People
Saṅs-rgya-rgya-mtsho, Sde-srid
Galen
Time Periods
17th century
Medieval
16th century
Qing dynasty (China, 1644-1912)
8th century
Renaissance
Places
Tibet
China
Florence (Italy)
Mongolia
Italy
France
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