The rediscovery of the ancient sites of Pompeii and Herculaneum in the eighteenth century attracted a huge response from contemporary commentators. Many of these, as well as almost all subsequent judgements from historians, are very critical of the Bourbon excavators. Charles, King of Naples, and his team of antiquaries have been depicted as charlatans, treating ancient artefacts and the sites poorly, interested in them only in so far as they glorified their kingdom. In this article it is argued that, with an understanding of contemporary approaches to antiquity and conservation, this verdict on the Bourbons seems unduly harsh. Their archaeological methods and treatment of classical art were typical for the eighteenth century and were, in some ways, progressive. In support of this harsh judgement of Charles, Winckelmann has been portrayed as a savage critic of the excavations; in reality he was kinder to the Bourbons than historians have believed.
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