Book ID: CBB001421229

The First Panoramas: Visions of British Imperialism (2011)

unapi

Oleksijczuk, Denise (Author)


University of Minnesota Press


Publication Date: 2011
Physical Details: viii + 222 pp.; ill.; index; bibl.; maps
Language: English

The First Panoramas is a cultural history of the first three decades of the panorama, a three-hundred-sixty-degree visual medium patented by the British artist Robert Barker in 1787. Denise Blake Oleksijczuk demonstrates the complexity of the panoramas' history and cultural impact, exploring specific exhibits and reconstructing the relationships between the paintings, their accompanying printed guides, and their different audiences.

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Reviewed By

Review McAleer, John (2014) Review of "The First Panoramas: Visions of British Imperialism". Technology and Culture (pp. 237-240). unapi

Citation URI
https://data.isiscb.org/isis/citation/CBB001421229/

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Authors & Contributors
Weserrenaissance-Museum Schloss Brake Lemgo
Harvey, Eleanor Jones
Lüpkes, Vera
Bischoff, Michael
Schönlau, Rolf
Sues, Hans-Dieter
Journals
Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences
Perspectives on Science
Journal of the History of the Neurosciences
Historical Studies in the Natural Sciences
Endeavour: Review of the Progress of Science
Eighteenth-Century Studies
Publishers
Sandstein Kommunikation
Yale University Press for the National Maritime Museum, Greenwich
The MIT Press
Princeton University Press
Palgrave Macmillan
National Library of Australia
Concepts
Science and art
Visual representation; visual communication
Illustrations
Science and culture
Natural history
Scientific illustration
People
Rösel von Rosenhof, August Johann
Cruikshank, George
Wolff, Caspar Friedrich
Buffon, Georges Louis Leclerc de
Swammerdam, Jan
Spurzheim, Johann Kaspar
Time Periods
18th century
19th century
17th century
20th century
Enlightenment
21st century
Places
Netherlands
France
Great Britain
London (England)
United States
Spain
Institutions
Smithsonian American Art Museum
Royal Society of London
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