Article ID: CBB001320290

The Origins of Penrose Diagrams in Physics, Art, and the Psychology of Perception, 1958--62 (2013)

unapi

Penrose diagrams gave mid-twentieth century physicists studying General Relativity (GR) a new tool for understanding Einstein's theory of gravity. Starting in 1962 they allowed new understandings and conceptualizations of the mathematical objects of theoretical physics. One origin of the diagrams is found in Roger Penrose's engagement with the art of impossible objects. These new understandings contributed to the renaissance GR experienced starting in the late 1950s. By following the diagrams through the GR community, the interrelation of research and pedagogy is explicated. This interrelation rapidly disseminated the tools to new workers in the field, further amplifying the effect of this new theoretical tool on disciplinary growth.

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Authors & Contributors
Kaiser, David Isaac
Wright, Aaron Sidney
Pagano, Angelo
Di Mauro, Pietro
Weinstein, Galina
Wüthrich, Adrian
Journals
Historical Studies in the Natural Sciences
Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences
Studies in History and Philosophy of Science Part B: Studies in History and Philosophy of Modern Physics
Social Studies of Science
Science
Renaissance Quarterly
Publishers
University of Chicago Press
Springer
Pavia University Press
Cambridge Scholars Publishing
University of New Mexico
Concepts
Physics
Diagrams
Visual representation; visual communication
Theoretical physics
Relativity
Quantum mechanics
People
Feynman, Richard Phillips
Lorentz, Hendrik Antoon
Einstein, Albert
Habicht, Conrad
Poincaré, Jules Henri
Planck, Max
Time Periods
20th century, late
20th century, early
20th century
19th century
Renaissance
21st century
Places
United States
Japan
Germany
Soviet Union
Institutions
Los Alamos Scientific Laboratory
European Organization for Nuclear Research (CERN)
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