Colligan, Colette (Author)
Linley, Margaret (Author)
Operating at the intersection where new technology meets literature, this collection discovers the relationship among image, sound, and touch in the long nineteenth century. The chapters speak to the special mixed-media properties of literature, while exploring the important interconnections of science, technology, and art at the historical moment when media was being theorized, debated, and scrutinized. Each chapter focuses on a specific visual, acoustic, or haptic dimension of media, while also calling attention to the relationships among the three. Famous works such as Wordsworth's "I wandered lonely as a cloud" and Shelley's Frankenstein are discussed alongside a range of lesser-known literary, scientific, and pornographic writings. Topics include the development of a print culture for the visually impaired; the relationship between photography and narrative; the kaleidoscope and modern urban experience; Christmas gift books; poetry, painting and music as remediated forms; the interface among the piano, telegraph, and typewriter; Ernst Heinrich Weber's model of rationalized tactility; and how the shift from visual to auditory telegraphic instruments amplified anxieties about the place of women in nineteenth-century information networks. Full of surprising insights and connections, the collection offers new impetus for stimulating historical conversations and debates about nineteenth-century media, while also contributing fresh perspectives on new media and (re)mediation today.
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Book
Allyson C. DeMaagd;
(2022)
Dissensuous Modernism: Women Writers, the Senses, and Technology
(/isis/citation/CBB332040827/)
Thesis
Parisi, David P.;
(2008)
Touch Machines: An Archeology of Haptic Interfacing
(/isis/citation/CBB001561275/)
Article
Hui, A. E.;
(2011)
Instruments of Music, Instruments of Science: Hermann von Helmholtz's Musical Practices, His Classicism, and His Beethoven Sonata
(/isis/citation/CBB001033821/)
Book
Graeme Gooday;
Karen Sayer;
(2017)
Managing the Experience of Hearing Loss in Britain, 1830–1930
(/isis/citation/CBB651894216/)
Article
Pesic, Peter;
(2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space”
(/isis/citation/CBB001320409/)
Book
Willumson, Glenn;
(2013)
Iron Muse: Photographing the Transcontinental Railroad
(/isis/citation/CBB001320948/)
Article
Roger Smith;
(2021)
The Senses of Touch and Movement and the Argument for Active Powers
(/isis/citation/CBB136835699/)
Book
Classen, Constance;
(2012)
The Deepest Sense: A Cultural History of Touch
(/isis/citation/CBB001260647/)
Book
Jackson, Donald C.;
(2013)
Pastoral and Monumental: Dams, Postcards, and the American Landscape
(/isis/citation/CBB001321155/)
Book
Peter John Brownlee;
(2018)
The Commerce of Vision: Optical Culture and Perception in Antebellum America
(/isis/citation/CBB577723132/)
Book
David Parisi;
(2018)
Archaeologies of Touch: Interfacing with Haptics from Electricity to Computing
(/isis/citation/CBB165147793/)
Article
Harvey, Elizabeth D.;
(2011)
The Portal of Touch
(/isis/citation/CBB001212191/)
Article
Lake, Crystal B.;
(2013)
Feeling Things: The Novel Objectives of Sentimental Objects
(/isis/citation/CBB001201889/)
Chapter
Baert, Barbara;
(2013)
“An Odour. A Taste. A Touch. Impossible To Describe”: Noli me tangere and the Senses
(/isis/citation/CBB001201648/)
Thesis
Moshenska, Joseph;
(2011)
“Feeling Pleasures”: The Sense of Touch in Renaissance England
(/isis/citation/CBB001567300/)
Article
Matthews, Gareth B.;
(2011)
Aristotle on the Organ of Touch
(/isis/citation/CBB001211444/)
Article
Marco Menin;
(2021)
L’organe du toucher et la neurologie du racisme: L’origine tactile de la couleur de la peau chez Claude-Nicolas Le Cat
(/isis/citation/CBB614524199/)
Thesis
Steven Andrew Nathaniel;
(2021)
Inaudible Modernism: Techno-Aesthetic Listening in Literature and Film
(/isis/citation/CBB274946224/)
Article
Supper, Alexandra;
(2014)
Sublime Frequencies: The Construction of Sublime Listening Experiences in the Sonification of Scientific Data
(/isis/citation/CBB001421166/)
Article
Ruben E. Verwaal;
(2021)
Fluid deafness: earwax and hardness of hearing in early modern Europe
(/isis/citation/CBB379468510/)
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