Jacobs, Robert Alan (Editor)
Lexington Books
Physical Details: xiv + 276 pp.; ill.; bibl.; index
Language: English
Description Contents:
Chapter Canaday, John (2010) Fetch-Lights and Grocery Lists: Metaphors and Nuclear Weapons. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 9).
Chapter Canaday, John (2010) Poems from Critical Assembly. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 29).
Chapter Ito, Kenji (2010) Robots, A-Bombs, and War: Cultural Meanings of Science and Technology in Japan around World War II. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 63).
Chapter Maeda, Minoru (2010) The Day the Sun Was Lost (from the film Taiyo wo Nakushita Hi). In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 99).
Chapter Maeda, Naoko (2010) The Summer You Can't Go Back To (from the manga Kaeranai Natsu). In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 119).
Chapter Broderick, Mick (2010) “The Buck Stops Here”: Hiroshima Revisionism in the Truman Years. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 135).
Chapter Tanaka, Yuki (2010) Godzilla and the Bravo Shot: Who Created and Killed the Monster?. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 159).
Chapter Gallagher, Carole (2010) Thank You, Mr. Avedon. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 171).
Chapter Jacobs, Robert (2010) Target Earth: The Atomic Bomb and the Whole Earth. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 187).
Chapter Hiramoto, Judy (2010) Nuclear Culture. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 207).
Chapter Weart, Spencer (2010) Nuclear Fear, 1987--2007: Has Anything Changed? Has Everything Changed?. In: Filling the Hole in the Nuclear Future: Art and Popular Culture Respond to the Bomb (p. 229).
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