Moccasins were worn by Euroamericans on many frontiers, but colonial Detroiters, unlike other frontier residents, did not just wear moccasins; they also manufactured them. By the 1770s Detroit was home to at least three tanneries that produced native-style shoes. Due to Detroit's situation in the heart of the Great Lakes, merchants then shipped moccasins to the eastern seaboard. By the early nineteenth century, this frontier footwear had transitioned into imperial culture. The fashioning of moccasins---tracing the appropriation, fabrication, distribution, marketing, and consumption of a native cultural item by nonnatives---challenges our understanding of the frontier in three ways. It establishes the existence and scope of a hybridized culture that borrowed and blended the most useful components of several cultural traditions. It demonstrates that Detroit capitalized on components of both west and east to capture some degree of commercial autonomy. And it identifies an instance in which the interior influenced and shaped the Atlantic. The local production of moccasins for an eastern clientele reversed production, distribution, consumption, and fashionability to flow from west to east. Such a reordering enabled Detroit to exert both its importance within and its distinctness from empire.
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