Rommevaux, Sabine (Editor)
Vendrix, Philippe (Editor)
Zara, V. (Editor)
Le langage des proportions est un langage de comparaison. Outil scientifique, il met en relation grandeurs mathématiques ou physiques (deux cercles, deux mouvements, deux sons, etc.). Pour autant, son application ne se restreint pas au seul champ des mathématiques. Erigé en principe philosophique par le principe de comparaison qui le sous-tend, il déploie tout son potentiel analogique en devenant langage constructeur d'harmonie. La théorie des proportions s'ouvre ainsi sur un vaste champ de relations qui définissent canons et règles de beauté dans les diverses disciplines artistiques. S'intéresser aux proportions signifie donc s'intéresser à tous les domaines du savoir. Mais comment aborder et comprendre, dans un dialogue transversal, sa dimension historique?
...MoreDescription On Renaissance studies in mathematics. Contributors include: Sabine Rommevaux, J. V. Field, Ann E. Moyer, Pierre Caye, Jens Hoyrup, Maryvonne Spiesser, Bernard Joly, Gabriela Ilnitchi Currie, Dorit Tanay, Anna Maria Busse Berger, Grantley McDonald, Stefano Lorenzetti, Katelijne Schiltz, Rudolf Rasch, Thomas Christensen, Brigitte Van Wymeersch, Pietro Roccasecca, Danilo Samsa, Lucien Vinciguerra, Matthew Landrus, Filippo Camerota, Valérie Auclair, Yves Pauwels, Frédérique Lemerle, Laura Moretti, Frank Zöllner.
Book
Field, Judith Veronica;
(2005)
Piero Della Francesca: A Mathematician's Art
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Article
Fabio Bellissima;
Maria Silvestrini;
(2017)
The «Mathematical Possibilities» of the Music Concept of Mode from Ptolemy to Messiaen
(/isis/citation/CBB413487512/)
Book
Kim Williams;
Michael J. Ostwald;
(2015)
Architecture and Mathematics from Antiquity to the Future: Volume I: Antiquity to the 1500s
(/isis/citation/CBB061663908/)
Article
Caye, Pierre;
(2006)
Scientia sine arte nihil est...Architecture et mathématiques palladiennes II
(/isis/citation/CBB000770985/)
Article
Fabio Bellissima;
(2011)
L'antanairesi e la teoria armonica greca
(/isis/citation/CBB718056038/)
Chapter
Renzo Baldasso;
John Logan;
()
8. Between the Golden Ratio and a Semiperfect Solid: Fra Luca Pacioli and the Portrayal of Mathematical Humanism
(/isis/citation/CBB978992186/)
Article
Fabio Bellissima;
(2019)
Guida alla lettura del "Tentamen novae theoriae musicae" di Eulero
(/isis/citation/CBB702093931/)
Article
Fabio Bellissima;
(2014)
Arithmetic, Geometric and Harmonic Means in Music Theory
(/isis/citation/CBB139505675/)
Article
Hernán, Pilar;
(2006)
Proporción y armonía en el Ayante de Sófocles y el Partenón:matemáticas y creación artística a mediados del s. V
(/isis/citation/CBB001023869/)
Article
Wardhaugh, Benjamin;
(2008)
Musical Logarithms in the Seventeenth Century: Descartes, Mercator, Newton
(/isis/citation/CBB000774155/)
Article
Camerota, Filippo;
(2006)
Teaching Euclid in a Practical Context: Linear Perspective and Practical Geometry
(/isis/citation/CBB000671073/)
Book
Christy Anderson;
Anne Dunlop;
Pamela H. Smith;
(2016)
The Matter of Art. Materials, Practices, Cultural Logics, c. 1250-1750
(/isis/citation/CBB876860571/)
Chapter
Giusti, Enrico;
(2008)
La théorie des proportions au XVIe siècle: entre philologie et mathématiques
(/isis/citation/CBB000952199/)
Book
Sabine Rommevaux;
(2014)
Les nouvelles théories des rapports mathématiques du XIVe au XVIe siècle.
(/isis/citation/CBB202631246/)
Article
Elisabetta Ulivi;
Martina Zoccola;
(2019)
Proporzioni e algebra nella trattatistica matematica del Basso Medioevo e del Rinascimento
(/isis/citation/CBB321829056/)
Article
Høyrup, Jens;
(2009)
“Proportions’’ in and around the Italian Abbacus Tradition
(/isis/citation/CBB858782494/)
Article
Weitzel, Hans;
(2007)
Zum Polyeder auf A. Dürers Stich Melencolia I---Ein Nürnberger Skizzenblatt mit Darstellungen archimedischer Körper
(/isis/citation/CBB001021453/)
Article
Fara, Patricia;
(2009)
Mathematical Figures
(/isis/citation/CBB000932179/)
Thesis
Chung, Immin;
(2003)
Mathematical and Architectural Concepts Manifested in Iannis Xenakis's Piano Music
(/isis/citation/CBB001562043/)
Chapter
Berns, Jörg Jochen;
(2008)
Instrumental Sound and Ruling Spaces of Resonance in the Early Modern Period: On the Acoustic Setting of the Princely potestas Claims within a Ceremonial Frame
(/isis/citation/CBB000831255/)
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